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Joe Brainard (1941–1994) was an American artist and writer associated with the New York School. His prodigious and innovative body of work included assemblages, collages, drawing, and painting, as well as designs for book and album covers, theatrical sets and costumes. In particular, Brainard broke new ground in using comics as a poetic medium in his collaborations with other New York School poets. He is best known for his memoir I Remember of which Paul Auster said:
“It is…one of the few totally original books I have ever read.”
Joe Brainard was born March 11, 1941 in Salem, Arkansas and spent his childhood in Tulsa, Oklahoma. He is the brother of painter John Brainard. Brainard became friends with Ron Padgett, Dick Gallup and Ted Berrigan during high school while working on the literary journal The White Dove Review. The 18 year-old Brainard joined the journal as its art editor after fellow Central High classmate Padgett sent Brainard an anonymous Christmas card praising his work. After high school, the artist re-united with the White Dove boys in New York City shortly after leaving the Dayton Art Institute. (Picture: Kenward Elmslie, 1990, by Robert Giard)

By 1964, Brainard had already had his first solo exhibition and was ensconced in a circle of friends that included Frank O’Hara, Kenneth Koch, Alex Katz, Edwin Denby, Larry Rivers, Fairfield Porter, James Schuyler, Jane Freilicher, Virgil Thomson, John Ashbery, among many others. He also began a relationship with Kenward Elmslie which lasted much of his life, despite having other lovers. He found much success as an artist until he removed himself from the artworld in the early 1980s.


Kenward Elmslie, Anne Waldman and Lewis Warsh, Westhampton, NY, 1968. Photo by Joe Brainard. Photo courtesy Larry Fagin.


AIDS Quilt


Tattoo, 1972, Pencil and Ink on Paper

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Source: http://en.wikipedia.org/wiki/Joe_Brainard & http://www.joebrainard.org/

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Joe Brainard, 1990, by Robert Giard  )

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My friend Paul contacted me with a wonderful news: he is getting married! This is a wonderful news, but it's even more wonderful because Paul is supporting a charity project and of course I'm all for spreading the news. So please welcome Paul and share with him this joyous news:



Several years ago, I painted Noah's Gay Wedding Cruise to express my optimism about the marriage equality movement. I believed we were on the cusp of great progress, and I chose to symbolize our inevitable victory with my own version of the Noah's Ark story. I painted a grand ark/cruise ship filled with happy gay and lesbian animal couples and a few human guests too (like Ellen DeGeneres/Portia de Rossi, and Elton John/David Furnish). There are even some drowning sinners (such as Ann Coulter, Larry Craig, Sally Kern, and Fred Phelps)!

Fast-forward to now. Indeed we have come a long way! Twelve states have legalized gay marriage, and important decisions about DOMA and Proposition 8 are being considered by the Supreme Court. Unfortunately I still live in a state where I am not allowed to get married, but Dennis and I have decided to do it anyway. We are excited to be a part of a special initiative by the group MarriageEvolved called C-Bus of Love. Along with 24 other LGBT couples (who also can't get married in their home states), we will be traveling by bus to Washington D.C. this June to get married on the steps of the U.S. Supreme Court.



In honor of this, I'm releasing a special new print -- Noah's Gay Wedding Cruise: MarriageEvolved Edition. It's an update of my original painting with the addition of Joshua and Steve Snyder-Hill, the two founders of MarriageEvolved. Steve is the soldier who was booed during the Republican primaries last year after asking a question about Don't Ask, Don't Tell. The incident caused great controversy for the candidates who did nothing to discourage the crowd from booing someone serving their country. I can't imagine the bravery it must have taken to out himself on international television while on active duty. Together, he and Joshua have championed the cause of marriage equality, even fighting DOMA on the national level to establish equality for LGBT military spouses, and they won't rest until everyone in this country who wants to get married will have the right to do so. I'm proud that they are our friends and thrilled to add them to the crew of Noah's Gay Wedding Cruise -- especially since they are the co-captains of our own upcoming wedding excursion!


Josh & Steve

100% of the profits from the sale of Noah's Gay Wedding Cruise: MarriageEvolved Edition will be donated to MarriageEvolved to help pay for the C-Bus of Love trip and future advocacy work of the organization. It's an important, worthwhile cause and I encourage everyone to show their support by purchasing a limited-edition print today. They are available in three different sizes in my online store HERE.

13" x 11" - $35
20" x 16" - $75
26" x 20" - $150

Visit the C-Bus of Love website to learn more about our upcoming road trip for equality. And check out our wedding bio while you're there!


Dennis & Paul

So, what you are waiting for? go and buy these wonderful prints to support MarriageEvolved, and to close this post, I want to add my "special edition", the Gold Marriage LGBT Couples, those partners who managed to stay together for more than 50 years, despite the history "telling" them they were not married, but in their case, the legal papers didn't mean nothing, they were officially married in their heart.

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Donald Jess "Don" Bachardy (born May 18, 1934) is an American portrait artist. He resides in Santa Monica, California. (Picture: Bachardy at 19 – Photo by Carl van Vechten (January 1954))

Born in Los Angeles, California, Bachardy was the life partner of writer Christopher Isherwood, whom he met on Valentine's Day 1953, when he was 18 and Isherwood was 48. They remained together until Isherwood's death in 1986. A number of paperback editions of Isherwood's novels feature Bachardy's pencil portraits of the author. A film about their relationship, titled Chris & Don: A Love Story, was released in 2008. (Picture: Christopher Isherwood)

Bachardy studied at the Chouinard Art Institute in Los Angeles and the Slade School of Art in London. His first one-man exhibition was held in October 1961 at the Redfern Gallery in London.

Since that time he has had many one-man exhibitions in Los Angeles, San Francisco, Seattle, Houston and New York. More recently, he exhibited at the Huntington Library in San Marino, California, in 2004–2005.

His works reside in the permanent collections of the Metropolitan Museum of Art in New York, the M.H. de Young Memorial Museum of Art in San Francisco, the University of Texas, Henry E. Huntington Library and Art Gallery, San Marino, California, the University of California, Los Angeles, the Fogg Art Museum of Harvard University, Princeton University, the Smithsonian Institute, and the National Portrait Gallery, London.



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Source: http://en.wikipedia.org/wiki/Don_Bachardy

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Romain de Tirtoff (23 November 1892 – 21 April 1990) was a Russian-born French artist and designer known by the pseudonym Erté, the French pronunciation of his initials, R.T. He was a diversely talented 20th-century artist and designer who flourished in an array of fields, including fashion, jewellery, graphic arts, costume and set design for film, theatre, and opera, and interior decor. Erté's autobiography cataloged his sexual history from age thirteen. He lived with Russian Prince Nicolas Ouroussoff for close to twenty years, up to the Prince's death in 1933.

Tirtoff was born Roman Petrovich Tyrtov in Saint Petersburg, to a distinguished family with roots tracing back to 1548. His father, Pyotr Ivanovich Tyrtov, served as an admiral in the Russian Fleet.

In 1907, he lived one year in Paris. He said about this time "I did not discover Beardsley until when I had already been in Paris for a year". In 1910–12, Romain moved to Paris to pursue a career as a designer. He made this decision despite strong objections from his father, who wanted Romain to continue the family tradition and become a naval officer. Romain assumed his pseudonym to avoid disgracing the family. He worked for Paul Poiret from 1913-1914. In 1915, he secured his first substantial contract with Harper's Bazaar magazine, and thus launched an illustrious career that included designing costumes and stage sets. Between 1915–1937, Erte designed over 200 covers for Harper's Bazaar, and his illustrations would also appear in such publications as Illustrated London News, Cosmopolitan, Ladies' Home Journal, and Vogue.

Erté is perhaps most famous for his elegant fashion designs which capture the art deco period in which he worked. One of his earliest successes was designing apparel for the French dancer Gaby Deslys who died in 1920. His delicate figures and sophisticated, glamorous designs are instantly recognisable, and his ideas and art still influence fashion into the 21st century. His costumes, programme designs, and sets were featured in the Ziegfeld Follies of 1923, many productions of the Folies Bergère, and George White's Scandals. On Broadway, the celebrated French chanteuse Irène Bordoni wore Erté's designs.



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Source: http://en.wikipedia.org/wiki/Ert%C3%A9

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Robert Miles Parker, an artist and preservationist whose pen-and-ink drawings of urban landscapes displayed a whimsical delight in storefronts, apartment buildings, houses and theaters, died on April 17, 2012, at his home on the Upper West Side of Manhattan, a neighborhood where he could often be found working at a makeshift drawing board in a lawn chair on the sidewalk with a pet Norfolk terrier on a leash sitting patiently beside him. He was 72.

His partner, David Van Leer (author of The Queening of America), said the cause was undetermined, adding that Mr. Parker had been treated for numerous ailments since he learned he had AIDS more than two decades ago.

Though Mr. Parker also painted in oils — portraits and floral still lifes as well as cityscapes — it was his pen-and-ink work of aspects of Manhattan’s architectural profile that garnered the most attention. Lively and reverently joyful, representational but far from architecturally precise, his drawings were shown frequently in both private galleries and public places, including the Empire State Building, the New York Public Library and the Museum of the City of New York.

"Upper West Side: New York,” a book of Mr. Parker’s drawings of buildings, street scenes and cityscapes, along with personal commentary, was published by Harry N. Abrams in 1988.

Most recently Mr. Parker was known for his drawings of Broadway theaters, both their facades and their interior details, portraying the handsome intricacies of their designs with suggestive loops and squiggles, a kind of controlled capriciousness.



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Source: http://www.nytimes.com/2012/04/28/arts/design/robert-miles-parker-dies-at-72-artist-and-preservationist.html

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John Singer Sargent (January 12, 1856 – April 14, 1925) was an American artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian era luxury. During his career, he created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East, Montana, Maine, and Florida. (Picture: Self Portrait, 1906, oil on canvas, 70 x 53 cm, Uffizi Gallery, Florence)

An American expatriate who was trained in Paris prior to moving to London, Sargent enjoyed international acclaim as a portrait painter, though not without controversy and some critical reservation; an early submission to the Paris Salon, his Portrait of Madame X was intended to consolidate his position as a society painter, but it resulted in scandal instead. From the beginning his work was characterized by remarkable technical facility, particularly in his ability to draw with a brush, which in later years inspired admiration as well as criticism for a supposed superficiality. His commissioned works were consistent with the Grand manner of portraiture, while his informal studies and landscape paintings displayed a familiarity with Impressionism. In later life Sargent expressed ambivalence about the restrictions of formal portrait work, and devoted much of his energy to mural painting and working en plein air.


Thomas E. McKeller

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Source: http://en.wikipedia.org/wiki/John_Singer_Sargent
Renowned society painter John Singer Sargent was exploring the male nude in his public art and private albums. His use of Thomas E. McKeller, an African American elevator operator he befriended, as the model for many of his black-and-white nudes speaks to Sargent's impulse to retink racial paradigms, even as he is caught in them. Day, von Gloeden, and Sargent are part of a tradition of negotiating sexuality and race through art, one that stretches back to Thoreau, Melville, and Stoddard. Art historian Trevor Fairbrother points out that Sargent's male nudes have a sensuous quality, often reclining in positions associated with the female nude. This pose is in direct contrast to patriotic statuary.
Technology and consumer capitalism helped bring some of these artists' images to a broader public. Inexpensive and easily available photographic prints - called studio cards - were now available through mass reproduction, and copies of artworks could be easily obtained by middle-class and even working-class people. This meant that art, once owned only by the wealthy, was becoming democratized and democratizing in a new way.
Most art historians agree that von Gloeden had sexual relationship with men and that Day, Eakins, and Sargent had romantic, if not physical, relationships with men. Women and men who desired their own sex had not found a significant level of freedom in America. But these female and male artists were able to live with a certain amount of visibility, with privileges the ordinary person did not have. --A Queer History of the United States by Michael Bronski
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Charles Bell (1935 – 1995) was an American Photorealist and Hyperrealist, known primarily for his large scale still lifes.

Bell died in Manhattan, New York of lymphoma on April 1, 1995, at age 60. He had AIDS at the time of his death. His partner of 22 years, interior decorator Willard Ching, had died of an AIDS-related illness three years earlier, in 1992.

According to a Guggeheim Foundation biography, Bell never received any formal training in his art. He claimed inspiration from Richard Diebenkorn and Wayne Thiebaud. He also worked in the San Francisco studio of Donald Timothy Flores, where painted mostly small-scale landscapes and still lifes. He was given the Society of Western Artists Award in 1968. After moving to New York, Bell created his paintings by photographing a subject in still life.

With a subject matter primarily of vintage toys, pinball machines, gumball machines, and dolls and action figures (the latter frequently arranged in classical poses), Bell sought to bring pictorial majesty and wonder to the mundane. Bell's work, created in his New York loft studio on West Broadway, is noted not only for the glass-like surface of his works, done largely in oil, but also for their significant scale.



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Source: http://en.wikipedia.org/wiki/Charles_Bell_(painter)

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Arnie Zane (September 26, 1948 – March 30, 1988) was an American photographer, choreographer, and dancer. He is best known as the co-founder and co-artistic director of the Bill T. Jones/Arnie Zane Dance Company.

The second son of an Italian-Jewish family, Zane was born in the Bronx, New York on September 26, 1948. Zane graduated from State University of New York at Binghamton (SUNY) with a degree in theater and art history. Not long afterward, Zane began pursuing an interest in photography. Though he is best known for being a dancer and choreographer, Zane began his career as a photographer. Zane was immensely interested in the human body, particularly its gestures, its movement, and its essence. Critic Jeffrey Green has characterized Zane’s portraits as “breaking down boundaries of race and age”. Zane's exploration of these themes is evidenced in his famous pictorials of a dancing Bill T. Jones. He met Jones, the man who would later become his lifelong partner, while visiting his Alma mater. The story goes that the 22-year-old Zane was immediately enamored of Bill T. Jones (a freshman studying dance and theater at SUNY) when he spied him across campus in 1971. During that spring semester, Zane convinced Jones to travel to Amsterdam with him and explore their burgeoning romantic relationship. After living and working together in Amsterdam, Zane and Jones eventually returned to New York.

Zane’s interest in dance began when he and Jones took Lois Welk’s contact improvisation class at SUNY/Brockport. Welk’s improvisational workshop stressing the physical interdependence between dancers, fascinated Zane and sparked his passion for dance. The three (Zane, Jones, Welk) collaborated and formed the American Dance Asylum which was heavily influenced by the work of experimental dancers of the time, namely Yvonne Rainer and other members of Grand Union. Zane’s photographic interest in the body and his interest in visual design shaped his approach to choreography. Zane and Jones would utilize their physical differences (Zane was short and white, and moved with an agitated energy; Jones was tall and black, and moved with a generous grace) to create an image that was beautiful in its oddity. Their pieces would fuse Jones' power and grace with Zane’s quick and wiry movement. Indeed, the still pictures of their dances together are especially striking and memorable.





AIDS Quilt )

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Source: http://en.wikipedia.org/wiki/Arnie_Zane

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Arnie Zane, 1987, by Robert Giard  )

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Bruce Weber (born March 29, 1946 in Greensburg, Pennsylvania) is an American fashion photographer and occasional filmmaker. He is most widely known for his ad campaigns for Calvin Klein, Ralph Lauren, Pirelli, Abercrombie & Fitch, Revlon, and Gianni Versace, as well as his work for Vogue, GQ, Vanity Fair, Elle, Life, Interview, and Rolling Stone magazines.

Weber's fashion photography first appeared in the late 1970s in GQ magazine, where he had frequent cover photos. Nan Bush, his longtime companion and agent, was able to secure a contract with Federated Department Stores to shoot the 1978 Bloomingdales mail catalog. He came to the attention of the general public in the late 1980s and early 1990s with his advertising images for Calvin Klein. His straightforward black and white shots, featuring an unclothed heterosexual couple on a swing facing each other, two clothed men in bed, and model Marcus Schenkenberg barely holding jeans in front of himself in a shower, catapulted him into the national spotlight. His photograph of Calvin Klein of Olympic athlete Tom Hintnaus in white briefs is an iconic image. He photographed the winter 2006 Ralph Lauren Collection.

After doing photo shoots for and of famous people (many of whom were featured in Andy Warhol's Interview magazine), Weber made short films of teenage boxers (Broken Noses), his beloved pet dogs, and later, a longer film titled Chop Suey. Weber directed Let's Get Lost a documentary about jazz trumpeter Chet Baker.

Weber's photographs are occasionally in color; however, most are in black and white or toned shades. They are gathered in limited edition books, including A House is Not a Home and Bear Pond, an early work which shows, among other models, Eric Nies from MTV's The Real World series.


Roberto Bolle

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Source: http://en.wikipedia.org/wiki/Bruce_Weber_(photographer)

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George Clair Tooker, Jr. (August 5, 1920 – March 27, 2011) was a figurative painter whose works are associated with the Magic realism and Social realism movements. He was one of nine recipients of the National Medal of Arts in 2007. (Picture: George Tooker by George Platt Lynes)

Tooker was raised by his Anglo/French-American father George Clair Tooker and English/Spanish-Cuban mother Angela Montejo Roura in Brooklyn Heights and Bellport, New York, along with his sister, Mary Fancher Tooker. Tooker wanted to attend art school rather than college, but ultimately abided by his parents' wishes and majored in English literature at Harvard University, while still devoting much of his time to painting. During 1942, he graduated from college and then entered the Marine Corps but was discharged due to ill-health. He had a long-time partner since 1949, William R. Christopher, who died in 1973. Although he was raised in a religious Episcopalian family he later converted to Catholicism. (Picture: William Christopher by George Platt Lynes)

In 1943 Tooker began attending at the Art Students League of New York, where he studied with Reginald Marsh and Kenneth Hayes Miller. Early in his career Tooker's work was often compared with other painters such as Andrew Wyeth, Edward Hopper, and his close friends Jared French and Paul Cadmus.


George Tooker, Daniel Maloney and William Christopher at Sneideus Landing, Oliver Jennings's House on the Hudson River, 1951


Self-Portrait

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Source: http://en.wikipedia.org/wiki/George_Tooker

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Beauford Delaney (December 30, 1901 – March 26, 1979) was an American modernist painter. He is remembered for his work with the Harlem Renaissance in the 1930s and 1940s, as well as his later works in abstract expressionism following his move to Paris in the 1950s. Beauford's younger brother, Joseph, was also a noted painter. (Beauford Delaney, photographed by Carl Van Vechten in 1953)

Beauford Delaney was born in Knoxville, Tennessee, United States, in 1901. Delaney's parents were prominent and respected members of Knoxville's black community. His father Samuel was both a barber and a Methodist minister. His mother Delia was also prominent in the church, and earned a living taking in laundry and cleaning the houses of prosperous local whites. Delia, born into slavery and never able to read and write herself, transferred a sense of dignity and self-esteem to her children and preached to them about the injustices of racism and the value of education. Beauford was the eighth of ten children, only four of whom survived into adulthood. He summed up the reasons for this in a journal entry from 1961, saying "so much sickness came from improper places to live – long distances to walk to schools improperly heated… too much work at home – natural conditions common to the poor that take the bright flowers like terrible cold in nature…"

Beauford and his younger brother, Joseph, were both attracted to art from an early age. Some of their earliest drawings were copies of Sunday school cards and pictures from the family bible. "Those early years which Beauford and I enjoyed together I am sure shaped the direction of our lives as artists. We were constantly doing something with our hands - modelling with the very red Tennessee clay, also copying pictures. One distinct difference in Beauford and myself was his multi-talents. Beauford could always strum on a ukulele and sing like mad and could mimic with the best. Beauford and I were complete opposites: me an introvert and Beauford the extrovert."


James Baldwin, pastel on paper, 1963
When Beauford Delaney made this pastel portrait of writer James Baldwin in 1963, his protégé was at the height of his powers. Baldwin's controversial novel, Another Country, was a best-seller, and he had recently published his important collection of essays, The Fire Next Time. Delaney had once served as a surrogate "father in art" to the teenaged Baldwin in New York. Baldwin, in turn, was inspired by the older artist's ideas, devotion to his work, and struggles with the challenges of homosexuality, mental illness, and alcoholism.
Although Delaney loved Baldwin, his portrait is not about nostalgic affection. Heated and confrontational, its harsh colors roughly applied, the pastel hints at the inner anxieties that would ultimately land Delaney in a psychiatric hospital. His pastel glows with the vibrant, Van Gogh–inspired yellow the artist often used after he moved to Paris in the 1950s. One of perhaps a dozen portraits that Delaney made of Baldwin over thirty years, it is both a likeness based on memory and a study of light.

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Source: http://en.wikipedia.org/wiki/Beauford_Delaney

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Charles Hazelwood Shannon R.A. (26 April 1863 – 18 March 1937), English artist, was born at Sleaford in Lincolnshire, the son of the Rev. Frederick William Shannon, Rector of Quarrington (himself the son of a Royal Navy Captain, Rodney Shannon and his wife Frances Nash), and Catherine Emma Manthorp, the daughter of a surgeon, Daniel Levett Manthorp (and his wife, Elizabeth Mason).

Shannon attended the City and Guilds of London Art School (then known as South London School of Technical Art, formerly Lambeth School of Art), and was subsequently considerably influenced by his lifetime partner Charles Ricketts and by the example of the great Venetians. In his early work he was addicted to a heavy low tone, which he abandoned subsequently for dearer and more transparent colour. He achieved great success with his portraits and his Giorgionesque figure compositions, which are marked by a classic sense of style, and with his etchings and lithographic designs. (Picture: Charles de Sousy Ricketts by George Charles Beresford)

The Dublin Municipal Gallery owns his circular composition "The Bunch of Grapes" and "The Lady with the Green Fan" (portrait of Mrs Hacon). His "Study in Grey" is at the Munich Gallery, a "Portrait of Mr Staats Forbes" at Bremen, and a "Souvenir of Van Dyck" at Melbourne. One of his most remarkable pictures is "The Toilet of Venus" in the collection of Lord Northcliffe. Several of his portrait works are on display in the National Portrait Gallery in London.


Charles Hazelwood Shannon and Charles de Sousy Ricketts


The Toilet, 1912


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Source: http://en.wikipedia.org/wiki/Charles_Haslewood_Shannon

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Aubrey Vincent Beardsley (21 August 1872 – 16 March 1898) was an English illustrator and author. His drawings, done in black ink and influenced by the style of Japanese woodcuts, emphasized the grotesque, the decadent, and the erotic. He was a leading figure in the Aesthetic movement which also included Oscar Wilde and James A. McNeill Whistler. Beardsley's contribution to the development of the Art Nouveau and poster styles was significant, despite the brevity of his career before his early death from tuberculosis.

Beardsley was born in Brighton, England, on 21 August 1872. His father, Vincent Paul Beardsley (1839–1909), was the son of a tradesman; Vincent had no trade himself, however, and instead relied on a private income from an inheritance that he received from his maternal grandfather when he was twenty-one years of age. Vincent's wife, Ellen Agnus Pitt (1846–1932), was the daughter of Surgeon-Major William Pitt of the Indian Army. The Pitts were a well-established and respected family in Brighton, and Beardsley's mother married a man of lesser social status than might have been expected. Soon after their wedding, Vincent was obliged to sell some of his property in order to settle a claim for his "breach of promise" from another woman who claimed that he had promised to marry her. At the time of his birth, Beardsley's family, which included his sister Mabel who was one year older, were living in Ellen's familial home at 12 Buckingham Road.

In 1883 his family settled in London, and in the following year he appeared in public as an "infant musical phenomenon," playing at several concerts with his sister. He attended Brighton, Hove and Sussex Grammar School in 1884, before moving on to attend Bristol Grammar School, where in 1885 he wrote a play, which he performed together with other students. At about the same time his first drawings and cartoons were published in the school newspaper of the Bristol Grammar School Past and Present. In 1888 he obtained a post in an architect's office, and afterwards one in the Guardian Life and Fire Insurance Company. In 1891, under the advice of Sir Edward Burne-Jones and Pierre Puvis de Chavannes, he took up art as a profession. In 1892 he attended the classes at the Westminster School of Art, then under Professor Fred Brown.


The Peacock Skirt, 1893

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Source: http://en.wikipedia.org/wiki/Aubrey_Beardsley

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Henry Scott Tuke, RA RWS (12 June 1858–13 March 1929), was a British visual artist; primarily a painter, but also a photographer. His most notable work was in the Impressionist style, and he is probably best known for his paintings of nude boys and young men.

He was born into a Quaker family in Lawrence Street in York. He was the second son of Daniel Hack Tuke (1827–1895) and Maria Strickney (1826–1917). In 1859 the family moved to Falmouth, where Daniel Tuke, a physician, established a practice. Tuke's sister and biographer, Maria Tuke Sainsbury (1861–1947), was born there. Tuke was encouraged to draw and paint from an early age and some of his earliest drawings—from when he was four or five years old—were published in 1895. In 1870, Tuke joined his brother William at Irwin Sharps's Quaker school in Weston-super-Mare, and remained there until he was sixteen.

In 1875, Tuke enrolled in the Slade School of Art under Alphonse Legros and Sir Edward Poynter. Initially his father paid for his tuition but in 1877 Tuke won a scholarship, which allowed him to continue his training at the Slade and in Italy in 1880. From 1881 to 1883 he was in Paris where he met Jules Bastien-Lepage, who encouraged him to paint en plein air. While studying in France, Tuke decided to move to Newlyn Cornwall where many of his Slade and Parisian friends had already formed the Newlyn School of painters. He received several lucrative commissions there, after exhibiting his work at the Royal Academy of Art in London.


Ruby, Gold and Malachite, 1902, one of the model was Charlie Mitchell (1885–1957). Mitchell was Tuke's boatman for 30 years and in his will, Tuke left him £1,000.

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Source: http://en.wikipedia.org/wiki/Henry_Scott_Tuke
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Robert Mapplethorpe (November 4, 1946 – March 9, 1989) was an American photographer, known for his large-scale, highly stylized black and white portraits, photos of flowers and nude men. The frank, homosexual eroticism of some of the work of his middle period triggered a more general controversy about the public funding of artworks.

Robert Mapplethorpe met his lifetime companion Sam Wagstaff in 1972 at a party. Mapplethorpe, whom Wagstaff called his sly pornographer, was also his guide to the gay demimonde of extreme sex and drugs that flourished in New York in the 1970s and 1980s. In the 1980s, Wagstaff gave Mapplethorpe $500,000 to purchase the top-floor loft at 35 West 23rd Street, where the photographer lived and had his shooting space. Wagstaff died of pneumonia arising from AIDS at his home in Manhattan on January 14, 1987, two years before Mapplethorpe. (Picture: Sam Wagstaff)

Mapplethorpe was born and grew up as a Roman Catholic of English and Irish heritage in Our Lady of the Snows Parish in Floral Park, Queens, New York. His parents were Harry and Joan Mapplethorpe and he grew up with five brothers and sisters. He studied for a B.F.A. from the Pratt Institute in Brooklyn, where he majored in graphic arts, though he dropped out in 1969 before finishing his degree. Mapplethorpe lived with his partner Patti Smith from 1967–1974, and she supported him by working in bookstores. They created art together, and even after he realized he was gay they maintained a close relationship.




Two Men Dancing, 1984

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Source: http://en.wikipedia.org/wiki/Robert_Mapplethorpe

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Madeleine Vionnet (June 22, 1876 – March 2, 1975) was a French fashion designer. Called the "Queen of the bias cut" and "the architect among dressmakers", Vionnet is best-known today for her elegant Grecian-style dresses and for introducing the bias cut to the fashion world.

Born into a poor family in Chilleurs-aux-Bois, Loiret, Vionnet began her apprenticeship as a seamstress at age 11. After a brief marriage at age 18, she left her husband and went to London to work as a hospital seamstress. While in London, Vionnet worked as a fitter for Kate Reily. Vionnet eventually returned to Paris and trained with the well known fashion house Callot Soeurs and later with Jacques Doucet. In 1912 she founded her own fashion house, "Vionnet". In the 1920s Vionnet created a stir by introducing the bias cut, a technique for cutting cloth diagonal to the grain of the fabric enabling it to cling to the body while moving with the wearer. Vionnet's use of the bias cut to create a sleek, flattering, body-skimming look would help revolutionize women's clothing and carry her to the top of the fashion world.

Madeleine Vionnet believed that "when a woman smiles, then her dress should smile too." Eschewing corsets, padding, stiffening, and anything that distorted the natural curves of a woman's body, her clothes were famous for accentuating the natural female form. Influenced by the modern dances of Isadora Duncan, Vionnet created designs that showed off a woman's natural shape. Like Duncan, Vionnet was inspired by ancient Greek art, in which garments appear to float freely around the body rather than distort or mold its shape. As an expert couturier, Vionnet knew that textiles cut on the diagonal or bias could be draped to match the curves of a woman's body and echo its fluidity of motion. She used this "bias cut" to promote the potential for expression and motion, integrating comfort and movement as well as form into her designs.



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Source: http://en.wikipedia.org/wiki/Madeleine_Vionnet

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Hugh Auchincloss Steers (b. 1962/1963 – March 1, 1995) was a painter whose work is in the Whitney Museum of American Art, the Walker Art Center, and the Denver Art Museum. He died of AIDS at the age of 32. He was the brother of filmmaker Burr Steers. He was the grandson of Hugh D. Auchincloss and Nina Gore. He was the half-nephew of both Gore Vidal and Jackie Kennedy.

Hugh Auchincloss Steers, a figurative painter, died on March 1, 1995, at the home of his cousin, Hugh D. Auchincloss Jr. He was 32 and lived in Manhattan.

The cause was AIDS, said his dealer, Richard Anderson.

Mr. Steers, who was born in Washington and studied at Yale University, painted in a style that mixed dreamlike allegory with Expressionist-tinged realism and incorporated art history references. In the last five years his work had increasingly dealt with AIDS. Many of his paintings showed single male figures, almost nude or in women's clothes, isolated in dark rooms; others depicted pairs of men bathing and dressing each other or embracing.

In his last works, shown at the Richard Anderson Gallery in the fall of 1994, Mr. Steers included a recurrent male figure that he regarded as a self-portrait. Dressed in a white hospital gown and white high heels, the figure entered the lives of other characters as both an avenging and a guardian angel.

His work is in the Whitney Museum of American Art, the Walker Art Center in Minneapolis and the Denver Art Museum.



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Source: http://www.nytimes.com/1995/03/04/obituaries/hugh-steers-32-figurative-painter.html

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Orry-Kelly was the professional name of Orry George Kelly (31 December 1897 – 27 February 1964), a prolific Hollywood costume designer.

He was born in Kiama, New South Wales, Australia, and was known as Jack Kelly. His father William Kelly, was born on the Isle of Man and was a gentleman tailor in Kiama. Orry was a name of an ancient King of Man. He studied art in Sydney, and worked as a tailor's apprentice and window dresser.

He journeyed to New York to pursue an acting career. He shared an apartment there with Charlie Spangles and Cary Grant. At the time Cary Grant was Archibald Leach. They shared the apartment in Manhattan, where they carried on a domestic existence as a gay couple, developing a reputation for throwing wild parties. Orry-Kelly established himself as a designer of scenery and costumes for Broadway musicals, while Archie pursued a career as an actor. A job painting murals in a nightclub led to his employment by Fox East Coast studios illustrating titles. He designed costumes and sets for Broadway's Shubert Revues and George White's Scandals.

He went to Hollywood in 1932, working for all the major studios (Warner Brothers, Universal, RKO, 20th Century Fox, and MGM), and designed for all the great actresses of the day, including Bette Davis, Kay Francis, Olivia de Havilland, Katharine Hepburn, Dolores del Río, Ava Gardner, Ann Sheridan, Barbara Stanwyck, and Merle Oberon.

He worked on many films now deemed classics, including 42nd Street, The Maltese Falcon, Casablanca, Arsenic and Old Lace, Harvey, Oklahoma!, Auntie Mame, and Some Like It Hot.

He won three Academy Awards for Best Costume Design (for An American in Paris, Cole Porter's Les Girls, and Some Like It Hot) and was nominated for a fourth (for Gypsy).



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Source: http://en.wikipedia.org/wiki/Orry-Kelly

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Count Hubert James Marcel Taffin de Givenchy (born 21 February 1927) is a French aristocrat and fashion designer who founded The House of Givenchy in 1952. He is famous for having designed much of the personal and professional wardrobe of Audrey Hepburn, as well as clothing for clients such as Jacqueline Kennedy. He was named to the International Best Dressed List Hall of Fame in 1970.

The younger son of Lucien Taffin de Givenchy (1888–1930), marquis of Givenchy, and his wife, the former Béatrice ("Sissi") Badin (1888–1976), Givenchy was born in Beauvais, Oise.

The Taffin de Givenchy family, which traces its roots to Venice, Italy (the original surname was Taffini), was ennobled in 1713, at which time the head of the family became marquis of Givenchy.

After his father's death from influenza in 1930, the future fashion designer and his elder brother Jean-Claude de Givenchy (1925–2009), who inherited the family's marquessate and eventually became the president of Parfums Givenchy, were raised by their mother and maternal grandmother, Marguerite Dieterle Badin (1853–1940), the widow of Jules Badin (1843–1919), an artist who was the owner and director of the historic Gobelins Manufactory and Beauvais tapestry factories. Artistic professions ran in the extended Badin family. Givenchy's maternal great-grandfather, Jules Dieterle, was a set designer who also created designs for the Beauvais factory, including a set of 13 designs for the Elysée Palace. One of his great-great-grandfathers also designed sets for the Paris Opera.

Impressed by the 1937 World's Fair in Paris, young Givenchy decided he wanted to work "somewhere in fashion design". He studied at the École des Beaux-Arts in Paris. His first designs were done for Jacques Fath in 1945, an association that came through family members who knew Fath personally. Later he did designs for Robert Piguet and Lucien Lelong (1946) — working alongside the still-unknown Pierre Balmain and Christian Dior. From 1947 to 1951 he worked for the avantgarde designer Elsa Schiaparelli.


Ball gown, 1953

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Source: http://en.wikipedia.org/wiki/Hubert_de_Givenchy

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Harriet Goodhue Hosmer (October 9, 1830 - February 21, 1908) was an American sculptor. (Picture: Harriet Hosmer, Engraving by Augustus Robin (1873))

Harriet Hosmer was born at Watertown, Massachusetts.

She showed an early aptitude for modeling, and studied anatomy with her father, a physician, and afterwards at the St Louis Medical College. She then studied in Boston until 1852, when, with her friend Charlotte Cushman, she went to Rome, where from 1853 to 1860 she was the pupil of the English sculptor John Gibson.

While living in Rome, she was associated with Nathaniel Hawthorne, Thorvaldsen, Thackeray, George Eliot and George Sand; and she was frequently the guest of the Brownings at Casa Guidi, in Florence. Later she also resided in Chicago and Terre Haute, Indiana.

Novelist Henry James unflatteringly referred to the group of women artists in Rome of which she was a part as "The White Marmorean Flock," borrowing a term from Nathaniel Hawthorne in The Marble Faun. These artists included lesbians Anne Whitney, Emma Stebbins, Edmonia Lewis and non-lesbians Louisa Lander, Margaret Foley, Florence Freeman, and Vinnie Ream.


Medusa, ideal head (1853)

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Source: http://en.wikipedia.org/wiki/Harriet_Hosmer

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