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Dorothy Celene Thompson was an American journalist and radio broadcaster, who in 1939 was recognized by Time magazine as the second most influential woman in America next to Eleanor Roosevelt.
Born: July 9, 1893, New York City, New York, United States
Died: January 30, 1961, Lisbon, Portugal
Education: Syracuse University
Illinois Institute of Technology
Lived: 237 E. 48th St
Twin Farms, 452 Royalton Turnpike, Barnard, VT 05031, USA
Buried: Barnard Village Cemetery, Barnard, Windsor County, Vermont, USA
Spouse: Maxim Kopf (m. 1943–1961), Sinclair Lewis (m. 1928–1942), Joseph Bard (m. 1923–1927)
Children: Michael Lewis

Turtle Bay is a neighborhood in New York City, on the east side of Midtown Manhattan. It extends from either 41s or 43rd Streets to 53rd Street, and eastward from Lexington Avenue to the East River’s western branch, facing Roosevelt Island. The neighborhood is the site of the headquarters of the United Nations and the Chrysler Building. The Tudor City apartment complex is also considered to be within Turtle Bay.
Address: E 49th St, New York, NY 10017, USA
Type: Private Property
National Register of Historic Places: Turtle Bay Gardens Historic District (226-246 E. 49th St. and 227-245 E. 48th St.), 83001750, 1983
Place
An army enrollment office was established at Third Avenue and 46th Street, after the first Draft Act was passed during the American Civil War. On July 13, 1863, an angry mob burned the office to the ground and proceeded to riot through the surrounding neighborhood, destroying entire blocks. The New York Draft Riots continued for three days before army troops managed to contain the mob, which had burned and looted much of the city. After the war ended, the formerly pastoral neighborhood was developed with brownstones. By 1868 the bay had been entirely filled in by commercial overdevelopment, packed with breweries, gasworks, slaughterhouses, cattle pens, coal yards, and railroad piers. By the early XX century, Turtle Bay was "a riverside back yard" for the city, as the WPA Guide to New York City (1939) described it: "huge industrial enterprises— breweries, laundries, abattoirs, power plants— along the water front face squalid tenements not far away from new apartment dwellings attracted to the section by its river view and its central position. The numerous plants shower this district with the heaviest sootfall in the city— 150 tons to the square mile annually.” The huge Waterside Station, a power plant operated by the Consolidated Edison Company, producing 367,000 kilowatts of electricity in its coal-fired plant, marked the southern boundary of the neighborhood. There were also 18 acres (73,000 m2) of slaughterhouses along First Avenue. With an infusion of poor immigrants having had come in the later part of the XIX century, and the opening of the elevated train lines along Second and Third Avenues, the neighborhood went into decay with crumbling tenement buildings.
Notable queer residents at Turtle Bay:
• 525 Lexington Ave (between E. 48th and E. 49th, now the New York Marriot East Side): in 1925 Georgia O’Keefe and Alfred Stieglitz moved to the Shelton Hotel taking an apartment on the 30th floor of the new building. They would live here for 12 years. With a spectacular view, Georgia began to paint the city. The building was depicted in some of the works of these two legendary tenants, O’Keefe the painter and Stieglitz the photographer.
• No. 237 E. 48th St: Dorothy Thompson (1894-1961), a well-known foreign correspondent and author of "I Saw Hitler," was once married to writer Sinclair Lewis, but the great love of her life was Christa Winsloe, author of the novel upon which the classic lesbian film, "Madchen in Uniform" was based. After they broke up, Thompson lived alone in this three-story brownstone from 1941 to 1957. She spent more than $20,000 for renovations to make it, as she wrote, “the most perfect small house I have ever seen.” Thompson’s “small” home included a library with more than 3,000 books, five fireplaces, and a third-floor study for writing. In the drawing room, a wine-colored satin sofa could hold, she bragged, five of “the most distinguished bottoms in New York.” In the front door were eight painted glass panels showing Thompson in medieval attire performing various tasks – writing, lecturing, greeting guests. There was also the house’s motto: “Gallus in sterquilinio suo plurimum potest.” (“The rooster on his own dunghill is very much in charge.”)
• No. 246 E. 49th St: Stephen Sondheim has been a long-time resident of the Turtle Bay Gardens. Sondheim (born 1930) has spoken in the past of feeling like an outsider – “somebody who people want to both kiss and kill” – from quite early on in his life. He spent some 25 years – from his thirties through his fifties – in analysis, did not come out as gay until he was about 40, and did not live with a partner, a dramatist named Peter Jones, until he was 61. They separated in 1999. Since 2004 he has been in a relationship with Jeff Romley (born 1978.) In 1969, while he was playing music, he heard a knock on the door. His neighbor, Katharine Hepburn, was in "bare feet – this angry, red-faced lady" and told him "You have been keeping me awake all night!" (she was practicing for her musical debut in Coco). When Sondheim asked why she had not asked him to play for her, she said she lost his phone number. According to Sondheim, "My guess is that she wanted to stand there in her bare feet, suffering for her art".
• No. 244 E. 49 St.: Katharine Hepburn (1907-2003) lived in the apartment at 244 East 49th Street in the Turtle Bay neighborhood for more than 60 years. After her death in 2003, her beloved four-story brownstone was sold sight-unseen to a fan in 2004 for $3.9 million. According to the listing for the renting, the home has been renovated, but “the original mirrored dressing room area retains the glitter.” There is a formal entry, spacious living room, a parlor floor and the master bedroom/bath on the third floor and guest bedrooms on the fourth floor. Behind the brownstone are communal gardens — Turtle Bay Gardens — which are shared by other rowhome owners on East 49th and East 48th Streets. The city honored Hepburn by renaming the nearby intersection of Second Avenue and East 49th Street “Katharine Hepburn Place.” Nearby, in the Dag Hammarskjold Plaza, is a garden dedicated to her — the Katharine Hepburn Garden – which contains 12 stepping stones inscribed with quotes by Hepburn.
• No. 211 E. 49th St.: Amster Yard, located at East 49th Street between Second and Third Avenues. James Amster had first set eyes on what would become Amster Yard back in 1944 when, after a dinner party, two other guests who were in real estate business took him to see some “down-in-the-heels properties,” as he called them. An old tenement, boarding house, and a carpenter’s workshop ringed a debris-filled yard. But the creative Amster immediately saw potential in the site. Within two years, on a May evening in 1946, Amster was ready to unveil his charming Amster Yard with a grand party attended by some 700 clients, friends and the press. Eugenia Sheppard, writing for the New York Herald Tribune, described her gracious and handsome host as “a man with great romantic flair” and Amster Yard as “pretty and perfect… inside and out.” It was Amster’s dream to make Amster Yard a center of the design profession, and the earliest residents of its six apartments included the Yard’s architect, Sterner, and his wife, Paula; art patron Leonard Hanna; interior designer Billy Baldwin; artist Isamu Noguchi; fahion designer Norman Norell; as well as Amster, of course. Robert Moyer, Jimmy Amster’s partner for 41 years, stayed on at Amster Yard after Amster died in 1986 moving out in 1992.
• No. 109 E. 42nd St.: Greta Garbo and Mauritz Stiller occupied rooms at the Hotel Commodore in the first two months of their stay in America in July 1925. The Hotel Commodore (today the Grand Hyatt) was a modest place, at 42nd street, which formed a part of Grand Central Station and just a few steps away from the MGM office at Broadway.


by Elisa Rolle

Queer Places, Vol. 1 edited by Elisa Rolle
ISBN-13: 978-1532901904
ISBN-10: 1532901909
Release Date: July 24, 2016
CreateSpace Store: https://www.createspace.com/6228297
Amazon (print): http://www.amazon.com/dp/1532901909/?tag=elimyrevandra-20
Amazon (kindle): http://www.amazon.com/dp/B01IZ1BU9K/?tag=elimyrevandra-20

Hotel and spa on three hundred acres of wildflowers, rolling hills, wandering trails. Offers information on accommodations, dining, events and activities.
Address: 452 Royalton Turnpike, Barnard, VT 05031, USA (43.7248, -72.58922)
Type: Guest Facility (open to public)
Phone: +1 802-234-9999
Place
When Nobel prize-winning author Sinclair Lewis proposed to journalist Dorothy Thompson, she promised to marry him if he bought her a farm in Vermont with sweeping lawns, orchards, and “delicious air.” They found their idyll in a 1795-era farmhouse on 300 acres — all of which they purchased in 1928 for $10,000. In various seasons over the next 30 years, they created and entertained at Twin Farms. Their guest list included political and literary figures who lingered for provocative discussions, outdoor activities, and the opportunity to attend the couple’s legendary parties. Dorothy kept Twin Farms until she was no longer physically able to live here. As she grew frail, her family sold off parcels of the land, completing the final transaction in 1958. Subsequently, Twin Farms changed hands several times. It operated as Sonnenberg Haus, an inn with a reputation for fine dining, when Thurston Twigg-Smith acquired the property as a second home for his family in 1974. By the late 1980s, the Twigg-Smiths found themselves able to visit Barnard only a few weeks a year, so they decided to launch a Bed and Breakfast to share this special place — a quaint notion that soon escalated to the number one small hotel in North America. The first nine rooms opened on October 1, 1993 to national acclaim. Five additional cottages were added in 1995 and 1996, and more accolades followed. The completion of spa treatment rooms, Chalet, Aviary, and the Farmhouse at Copper Hill in 2005 brought the number of accommodations to 20, where it remains today. Though the ownership now includes several partners, guests continue to embrace Twin Farms —and Twigg-Smith’s vision of a sophisticated escape steeped in playful romance — as their own second home. Dorothy Thompson and Sinclair Lewis are buried side by side in the Barnard Village Cemetery on the North Road.



Queer Places, Vol. 1 edited by Elisa Rolle
ISBN-13: 978-1532901904
ISBN-10: 1532901909
Release Date: July 24, 2016
CreateSpace Store: https://www.createspace.com/6228297
Amazon (print): http://www.amazon.com/dp/1532901909/?tag=elimyrevandra-20
Amazon (kindle): http://www.amazon.com/dp/B01IZ1BU9K/?tag=elimyrevandra-20
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Marie-Louise Damien, better known by the stage name Damia, was a French singer and actress.
Born: December 5, 1889, Paris, France
Died: January 30, 1978, La Celle-Saint-Cloud, France
Buried: Cimetière de Pantin, Pantin, Departement de Seine-Saint-Denis, Île-de-France, France
Albums: La Tragédienne de la chanson, more
Genres: World, Pop
Record labels: Marianne Melodie, Frémeaux & Associés, more

Vast tree-lined burial site with famous names including Oscar Wilde, Jim Morrison & Maria Callas.
Address: 16 Rue du Repos, 75020 Paris, France (48.86139, 2.39332)
Type: Cemetery (open to public)
Hours: Monday through Friday 8.00-18.00, Saturday 8.30-18.00, Sunday 9.00-18.00
Phone: +33 1 55 25 82 10
Place
Père Lachaise Cemetery is the largest cemetery in the city of Paris (44 hectares or 110 acres), though there are larger cemeteries in the city’s suburbs. Père Lachaise is in the 20th arrondissement and is notable for being the first garden cemetery, as well as the first municipal cemetery. It is also the site of three WWI memorials. The cemetery is on Boulevard de Ménilmontant. The Paris Métro station Philippe Auguste on line 2 is next to the main entrance, while the station called Père Lachaise, on both lines 2 and 3, is 500 metres away near a side entrance that has been closed to the public. Many tourists prefer the Gambetta station on line 3, as it allows them to enter near the tomb of Oscar Wilde and then walk downhill to visit the rest of the cemetery. Père Lachaise Cemetery was opened on May 21, 1804. The first person buried there was a five-year-old girl named Adélaïde Paillard de Villeneuve, the daughter of a door bell-boy of the Faubourg St. Antoine. Her grave no longer exists as the plot was a temporary concession. Napoleon, who had been proclaimed Emperor by the Senate three days earlier, had declared during the Consulate that "Every citizen has the right to be buried regardless of race or religion.”
Notable queer burials at Père Lachaise:
• Louise Abbéma (1853-1927) was a French painter, sculptor, and designer of the Belle Époque. She first received recognition for her work at age 23 when she painted a portrait of Sarah Bernhardt, her lifelong friend and possibly her lover.
• Sarah Bernhardt (1844-1923) was a French stage and early film actress.
• Rosa Bonheur (1822-1899), Nathalie Micas (1824-1889) and Anna Elizabeth Klumpke (1856-1942), buried together.
• Jean Börlin (1893-1930) was a Swedish dancer and choreographer born in Härnösand. He worked with Michel Fokine, who was his teacher in Stockholm. Jean Borlin was a principal dancer of the Royal Swedish Ballet when Rolf de Mare brought him to Paris in in 1920 as first dancer and choreographer of the Ballets Suedois at the Theatre de Champs-Elysees. According to Paul Colin, de Mare “was very rich” and he had brought the Swedish Ballet to Paris “especially to show his young lover, Jean Borlin.” The Stockholm press derided de Mare's sexual orientation. In contrast, open-minded Paris welcomed the Ballets Suedois. One wonders what might have happened if de Mare had not disbanded the company in 1925, reportedly because its recent performances had disappointed him. But he had a new lover. Borlin's last years were melancholy. By 1925, he was exhausted: he had choreographed all 23 ballets in his company's repertory and danced in each of its 900 performances -- a grueling schedule that led him to alcohol and drugs. In 1930, he opened a school in New York but died of heart failure shortly thereafter. He was only 37. He was buried at his own wish in the cemetery of Pére Lachaise in Paris in January l931. A stricken de Mare founded Les Archives Internationales de Danse, in his memory.
• Jean Jacques Régis de Cambacérès (1753-1824) 1st Duke of Parma, later 1st Duke of Cambacérès, was a French lawyer and statesman during the French Revolution and the First Empire, best remembered as the author of the Napoleonic Code, which still forms the basis of French civil law and inspired civil law in many countries. The common belief that Cambacérès is responsible for decriminalizing homosexuality in France is in error. Cambacérès was not responsible for ending the legal prosecution of homosexuals. He did play a key role in drafting the Code Napoléon, but this was a civil law code. He had nothing to do with the Penal Code of 1810, which covered sexual crimes. Before the French Revolution, sodomy had been a capital crime under royal legislation. The penalty was burning at the stake. Very few men, however, were ever actually prosecuted and executed for consensual sodomy (no more than five in the entire XVIII century). Sodomites arrested by the police were more usually released with a warning or held in prison for (at most) a few weeks or months. The National Constituent Assembly abolished the law against sodomy when it revised French criminal law in 1791 and got rid of a variety of offenses inspired by religion, including blasphemy. Cambacérès was a homosexual, his sexual orientation was well-known, and he does not seem to have made any effort to conceal it. He remained unmarried, and kept to the company of other bachelors. Napoleon is recorded as making a number of jokes on the subject. Robert Badinter once mentioned in a speech to the French National Assembly, during debates on reforming the homosexual age of consent, that Cambacérès was known in the gardens of the Palais-Royal as "tante Turlurette".
• Colette (Sidonie-Gabrielle Colette, 1873-1954) was a French novelist nominated for the Nobel Prize in Literature in 1948. She embarked on a relationship with Mathilde de Morny, Marquise de Belbeuf ("Missy"), with whom she sometimes shared the stage.
• Alphonse Daudet (1840–1897) was a French novelist. He was the husband of Julia Daudet and father of Edmée Daudet, and writers Léon Daudet and Lucien Daudet. Cultivated, “very beautiful, very elegant, a thin and frail young man, with a tender and a somewhat effeminate face”, according to Jean-Yves Tadié, Lucien Daudet lived a fashionable life which made him meet Marcel Proust. They shared at least a friendship (if not a sexual relationship), which was revealed by Jean Lorrain in his chronicle in the Journal. It is for this indiscretion that Proust and Lorrain fought a duel in 1897. Daudet was also friends with Jean Cocteau.
• Isadora Duncan (1877-1927) was an American dancer. Bisexual she had a daughter by theatre designer Gordon Craig, and a son by Paris Singer, one of the many sons of sewing machine magnate Isaac Singer. She had relationships with Eleonara Duse and Mercedes de Acosta. She married the Russian bisexual poet Sergei Yesenin, who was 18 years her junior.
• Joseph Fiévée (1767-1839) was a French journalist, novelist, essayist, playwright, civil servant (haut fonctionnaire) and secret agent. Joseph Fiévée married in 1790 (his brother-in-law was Charles Frédéric Perlet), but his wife died giving birth, leaving him one child. At the end of the 1790s, he met the writer Théodore Leclercq who became his life companion, and the two would live and raise Fiévée’s son together. When becoming Préfet, Fiévée and Leclercq moved to the Nièvre department, and their open relationship greatly shocked some locals. The two men were received together in the salons of the Restoration. Both men are buried in the same tomb at Père Lachaise Cemetery.
• Loie Fuller (1862–1928) was an American dancer who was a pioneer of both modern dance and theatrical lighting techniques. Fuller supported other pioneering performers, such as fellow United States-born dancer Isadora Duncan. Fuller helped Duncan ignite her European career in 1902 by sponsoring independent concerts in Vienna and Budapest. She was cremated and her ashes are interred in the columbarium at Père Lachaise Cemetery in Paris. Her sister, Mollie Fuller, had a long career as an actress and vaudeville performer.
• Anne-Louis Girodet (1767-1824) was a French painter and pupil of Jacques-Louis David, who was part of the beginning of the Romantic movement by adding elements of eroticism through his paintings. According to the scholar Diana Knight, over the years Girodet’s homosexuality became widely known.
• Eileen Gray (1878–1976) was an Irish furniture designer and architect and a pioneer of the Modern Movement in architecture. Gray was bisexual. She mixed in the lesbian circles of the time, being associated with Romaine Brooks, Gabrielle Bloch, Loie Fuller, the singer Damia and Natalie Barney. Gray's intermittent relationship with Damia (or Marie-Louise Damien) ended in 1938, after which they never saw each other again, although both lived into their nineties in the same city. Damia died at La Celle-Saint-Cloud, a western suburb of Paris, and was interred in the Cimetière de Pantin (163 Avenue Jean Jaurès, 93500 Aubervilliers). Today, she is considered to be the third greatest singer of chansons réalistes, after Edith Piaf and Barbara.
• Reynaldo Hahn (1874-1947) was a Venezuelan, naturalised French, composer, conductor, music critic, diarist, theatre director, and salon singer.
• Harry Graf Kessler (1868-1937) was an Anglo-German count, diplomat, writer, and patron of modern art. In his introduction to “Berlin Lights” (2000) Ian Buruma asserted Kessler was homosexual and struggled his whole life to conceal it.
• Boris Yevgen'yevich Kochno (1904-1990), was hired as the personal secretary to Serge Diaghilev, the impresario of the famed Ballets Russes. He served in this capacity until Diaghilev's death in 1929. In addition to his other duties, he also wrote several ballet libretti for the troupe. He died in 1990 in Paris following a fall. He was buried next to Wladimir Augenblick who died in 2001.
• Marie Laurencin (1883-1956) was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d'Or. She became romantically involved with the poet Guillaume Apollinaire, and has often been identified as his muse. In addition, Laurencin had important connections to the salon of the American expatriate and famed lesbian writer Natalie Clifford Barney. She had heterosexual and lesbian affairs. During WWI, Laurencin left France for exile in Spain with her German-born husband, Baron Otto von Waëtjen, since through her marriage she had automatically lost her French citizenship. The couple subsequently lived together briefly in Düsseldorf. After they divorced in 1920, she returned to Paris, where she achieved financial success as an artist until the economic depression of the 1930s. During the 1930s she worked as an art instructor at a private school. She lived in Paris until her death.
• Mary Elizabeth Clarke Mohl (1793–1883) was a British writer who was known as a salon hostess in Paris. She was known by her nickname of "Clarkey". She was admired for her independence and conversation. She eventually married the orientalist Julius von Mohl. She was an ardent Francophile, a feminist, and a close friend of Florence Nightingale. She wrote about her interest in the history of women's rights. She was buried with her husband, Julius von Mohl, at Père Lachaise Cemetery (56th division).
• Mathilde (Missy) de Morny (1863-1944), a French noblewoman, artist and transgender figure, she became a lover of several women in Paris, including Liane de Pougy and Colette.
• Francis Poulenc (1899–1963) was a French composer and pianist. The biographer Richard D. E. Burton comments that, in the late 1920s, Poulenc might have seemed to be in an enviable position: professionally successful and independently well-off, having inherited a substantial fortune from his father. He bought a large country house, Le Grande Coteau (Chemin Francis Poulenc, 37210 Noizay), 140 miles (230 km) south-west of Paris, where he retreated to compose in peaceful surroundings. Yet he was troubled, struggling to come to terms with his sexuality, which was predominantly gay. His first serious affair was with the painter Richard Chanlaire, to whom he sent a copy of the Concert champêtre score inscribed, "You have changed my life, you are the sunshine of my thirty years, a reason for living and working". Nevertheless, while this affair was in progress Poulenc proposed marriage to his friend Raymonde Linossier. As she was not only well aware of his homosexuality but was also romantically attached elsewhere, she refused him, and their relationship became strained. He suffered the first of many periods of depression, which affected his ability to compose, and he was devastated in January 1930, when Linossier died suddenly at the age of 32. On her death he wrote, "All my youth departs with her, all that part of my life that belonged only to her. I sob ... I am now twenty years older". His affair with Chanlaire petered out in 1931, though they remained lifelong friends. On 30 January 1963, at his flat opposite the Jardin du Luxembourg, Poulenc suffered a fatal heart attack. His funeral was at the nearby church of Saint-Sulpice. In compliance with his wishes, none of his music was performed; Marcel Dupré played works by Bach on the grand organ of the church. Poulenc was buried at Père Lachaise Cemetery, alongside his family.
• Marcel Proust (1871-1922) was a French novelist, critic, and essayist best known for his monumental novel “À la recherche du temps perdu” (In Search of Lost Time), published in seven parts between 1913 and 1927. Also his friend and sometime lover, Reynaldo Hahn is buried here.
• Raymond Radiguet (1903–1923) was a French novelist and poet whose two novels were noted for their explicit themes, and unique style and tone. In early 1923, Radiguet published his first and most famous novel, “Le Diable au corps” (The Devil in the Flesh). The story of a young married woman who has an affair with a sixteen-year-old boy while her husband is away fighting at the front provoked scandal in a country that had just been through WWI. Though Radiguet denied it, it was established later that the story was in large part autobiographical. He associated himself with the Modernist set, befriending Picasso, Max Jacob, Jean Hugo, Juan Gris and especially Jean Cocteau, who became his mentor. Radiguet also had several well-documented relationships with women. An anecdote told by Ernest Hemingway has an enraged Cocteau charging Radiguet (known in the Parisian literary circles as "Monsieur Bébé" – Mister Baby) with decadence for his tryst with a model: "Bébé est vicieuse. Il aime les femmes." ("Baby is depraved. He likes women.") Radiguet, Hemingway implies, employed his sexuality to advance his career, being a writer "who knew how to make his career not only with his pen but with his pencil." Aldous Huxley is quoted as declaring that Radiguet had attained the literary control that others required a long career to reach. On December 12, 1923, Radiguet died at age 20 in Paris of typhoid fever, which he contracted after a trip he took with Cocteau. Cocteau, in an interview with The Paris Review stated that Radiguet had told him three days prior to his death that, "In three days, I am going to be shot by the soldiers of God." In reaction to this death Francis Poulenc wrote, "For two days I was unable to do anything, I was so stunned". In her 1932 memoir, “Laughing Torso,” British artist Nina Hamnett describes Radiguet's funeral: "The church was crowded with people. In the pew in front of us was the negro band from the Boeuf sur le Toit. Picasso was there, Brâncuși and so many celebrated people that I cannot remember their names. Radiguet's death was a terrible shock to everyone. Coco Chanel, the celebrated dressmaker, arranged the funeral. It was most wonderfully done. Cocteau was too ill to come." ... "Cocteau was terribly upset and could not see anyone for weeks afterwards.”
• Mlle Raucourt (1756-1815) was a French actress.
• Oscar Wilde’s tomb in Père Lachaise was designed by sculptor Sir Jacob Epstein, at the request of Robert Ross (1869-1918), who also asked for a small compartment to be made for his own ashes. Ross's ashes were transferred to the tomb in 1950.
• Salomon James de Rothschild (1835–1864) was a French banker and socialite. He was the father of Baroness Hélène van Zuylen.
• Raymond Roussel (1877-1933) wrote and published some of his most important work between 1900 and 1914, and then from 1920 to 1921 traveled around the world. He continued to write for the next decade, but when his fortune finally gave out, he made his way to a hotel in Palermo, Grand Hotel Et Des Palmes (Via Roma, 398, 90139 Palermo), where he died of a barbiturate overdose in 1933, aged 56.
• Gertrude Stein (1874-1946) was an American writer of novels, poetry and plays. In 1933, Stein published a kind of memoir of her Paris years, “The Autobiography of Alice B. Toklas,” written in the voice of Toklas, her life partner. Alice B. Toklas (1877-1967) was an American-born member of the Parisian avant-garde of the early XX century. They are buried together.
• Pavel Tchelitchew (1898-1957), Russian-born surrealist painter. Loved by Edith Sitwell, he then in turn fell in love with Charles Henry Ford and moved with him in New York City.
• Oscar Wilde (1854-1900) was an Irish playwright, novelist, essayist, and poet. The modernist angel depicted as a relief on the tomb was originally complete with male genitals. They were broken off as obscene and kept as a paperweight by a succession of Père Lachaise Cemetery keepers. Their current whereabouts are unknown. In the summer of 2000, intermedia artist Leon Johnson performed a 40 minute ceremony entitled Re-membering Wilde in which a commissioned silver prosthesis was installed to replace the vandalised genitals.



Queer Places, Vol. 3 edited by Elisa Rolle
ISBN-13: 978-1532906695
ISBN-10: 1532906692
Release Date: July 24, 2016
CreateSpace Store: https://www.createspace.com/6228901
Amazon (print): http://www.amazon.com/dp/1532906692/?tag=elimyrevandra-20
Amazon Kindle: http://www.amazon.com/dp/B01IZXI10E/?tag=elimyrevandra-20
reviews_and_ramblings: (Default)
Francis Jean Marcel Poulenc was a French composer and pianist. His compositions include mélodies, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music.
Born: January 7, 1899, Paris, France
Died: January 30, 1963, Paris, France
Spouse: Richard Chanlaire (m. ?–1923)
Education: Lycée Condorcet
Parents: Émile Poulenc, Jenny Poulenc
Buried: Cimetière du Père Lachaise, Paris, City of Paris, Île-de-France, France, Plot: Division 5

Vast tree-lined burial site with famous names including Oscar Wilde, Jim Morrison & Maria Callas.
Address: 16 Rue du Repos, 75020 Paris, France (48.86139, 2.39332)
Type: Cemetery (open to public)
Hours: Monday through Friday 8.00-18.00, Saturday 8.30-18.00, Sunday 9.00-18.00
Phone: +33 1 55 25 82 10
Place
Père Lachaise Cemetery is the largest cemetery in the city of Paris (44 hectares or 110 acres), though there are larger cemeteries in the city’s suburbs. Père Lachaise is in the 20th arrondissement and is notable for being the first garden cemetery, as well as the first municipal cemetery. It is also the site of three WWI memorials. The cemetery is on Boulevard de Ménilmontant. The Paris Métro station Philippe Auguste on line 2 is next to the main entrance, while the station called Père Lachaise, on both lines 2 and 3, is 500 metres away near a side entrance that has been closed to the public. Many tourists prefer the Gambetta station on line 3, as it allows them to enter near the tomb of Oscar Wilde and then walk downhill to visit the rest of the cemetery. Père Lachaise Cemetery was opened on May 21, 1804. The first person buried there was a five-year-old girl named Adélaïde Paillard de Villeneuve, the daughter of a door bell-boy of the Faubourg St. Antoine. Her grave no longer exists as the plot was a temporary concession. Napoleon, who had been proclaimed Emperor by the Senate three days earlier, had declared during the Consulate that "Every citizen has the right to be buried regardless of race or religion.”
Notable queer burials at Père Lachaise:
• Louise Abbéma (1853-1927) was a French painter, sculptor, and designer of the Belle Époque. She first received recognition for her work at age 23 when she painted a portrait of Sarah Bernhardt, her lifelong friend and possibly her lover.
• Sarah Bernhardt (1844-1923) was a French stage and early film actress.
• Rosa Bonheur (1822-1899), Nathalie Micas (1824-1889) and Anna Elizabeth Klumpke (1856-1942), buried together.
• Jean Börlin (1893-1930) was a Swedish dancer and choreographer born in Härnösand. He worked with Michel Fokine, who was his teacher in Stockholm. Jean Borlin was a principal dancer of the Royal Swedish Ballet when Rolf de Mare brought him to Paris in in 1920 as first dancer and choreographer of the Ballets Suedois at the Theatre de Champs-Elysees. According to Paul Colin, de Mare “was very rich” and he had brought the Swedish Ballet to Paris “especially to show his young lover, Jean Borlin.” The Stockholm press derided de Mare's sexual orientation. In contrast, open-minded Paris welcomed the Ballets Suedois. One wonders what might have happened if de Mare had not disbanded the company in 1925, reportedly because its recent performances had disappointed him. But he had a new lover. Borlin's last years were melancholy. By 1925, he was exhausted: he had choreographed all 23 ballets in his company's repertory and danced in each of its 900 performances -- a grueling schedule that led him to alcohol and drugs. In 1930, he opened a school in New York but died of heart failure shortly thereafter. He was only 37. He was buried at his own wish in the cemetery of Pére Lachaise in Paris in January l931. A stricken de Mare founded Les Archives Internationales de Danse, in his memory.
• Jean Jacques Régis de Cambacérès (1753-1824) 1st Duke of Parma, later 1st Duke of Cambacérès, was a French lawyer and statesman during the French Revolution and the First Empire, best remembered as the author of the Napoleonic Code, which still forms the basis of French civil law and inspired civil law in many countries. The common belief that Cambacérès is responsible for decriminalizing homosexuality in France is in error. Cambacérès was not responsible for ending the legal prosecution of homosexuals. He did play a key role in drafting the Code Napoléon, but this was a civil law code. He had nothing to do with the Penal Code of 1810, which covered sexual crimes. Before the French Revolution, sodomy had been a capital crime under royal legislation. The penalty was burning at the stake. Very few men, however, were ever actually prosecuted and executed for consensual sodomy (no more than five in the entire XVIII century). Sodomites arrested by the police were more usually released with a warning or held in prison for (at most) a few weeks or months. The National Constituent Assembly abolished the law against sodomy when it revised French criminal law in 1791 and got rid of a variety of offenses inspired by religion, including blasphemy. Cambacérès was a homosexual, his sexual orientation was well-known, and he does not seem to have made any effort to conceal it. He remained unmarried, and kept to the company of other bachelors. Napoleon is recorded as making a number of jokes on the subject. Robert Badinter once mentioned in a speech to the French National Assembly, during debates on reforming the homosexual age of consent, that Cambacérès was known in the gardens of the Palais-Royal as "tante Turlurette".
• Colette (Sidonie-Gabrielle Colette, 1873-1954) was a French novelist nominated for the Nobel Prize in Literature in 1948. She embarked on a relationship with Mathilde de Morny, Marquise de Belbeuf ("Missy"), with whom she sometimes shared the stage.
• Alphonse Daudet (1840–1897) was a French novelist. He was the husband of Julia Daudet and father of Edmée Daudet, and writers Léon Daudet and Lucien Daudet. Cultivated, “very beautiful, very elegant, a thin and frail young man, with a tender and a somewhat effeminate face”, according to Jean-Yves Tadié, Lucien Daudet lived a fashionable life which made him meet Marcel Proust. They shared at least a friendship (if not a sexual relationship), which was revealed by Jean Lorrain in his chronicle in the Journal. It is for this indiscretion that Proust and Lorrain fought a duel in 1897. Daudet was also friends with Jean Cocteau.
• Isadora Duncan (1877-1927) was an American dancer. Bisexual she had a daughter by theatre designer Gordon Craig, and a son by Paris Singer, one of the many sons of sewing machine magnate Isaac Singer. She had relationships with Eleonara Duse and Mercedes de Acosta. She married the Russian bisexual poet Sergei Yesenin, who was 18 years her junior.
• Joseph Fiévée (1767-1839) was a French journalist, novelist, essayist, playwright, civil servant (haut fonctionnaire) and secret agent. Joseph Fiévée married in 1790 (his brother-in-law was Charles Frédéric Perlet), but his wife died giving birth, leaving him one child. At the end of the 1790s, he met the writer Théodore Leclercq who became his life companion, and the two would live and raise Fiévée’s son together. When becoming Préfet, Fiévée and Leclercq moved to the Nièvre department, and their open relationship greatly shocked some locals. The two men were received together in the salons of the Restoration. Both men are buried in the same tomb at Père Lachaise Cemetery.
• Loie Fuller (1862–1928) was an American dancer who was a pioneer of both modern dance and theatrical lighting techniques. Fuller supported other pioneering performers, such as fellow United States-born dancer Isadora Duncan. Fuller helped Duncan ignite her European career in 1902 by sponsoring independent concerts in Vienna and Budapest. She was cremated and her ashes are interred in the columbarium at Père Lachaise Cemetery in Paris. Her sister, Mollie Fuller, had a long career as an actress and vaudeville performer.
• Anne-Louis Girodet (1767-1824) was a French painter and pupil of Jacques-Louis David, who was part of the beginning of the Romantic movement by adding elements of eroticism through his paintings. According to the scholar Diana Knight, over the years Girodet’s homosexuality became widely known.
• Eileen Gray (1878–1976) was an Irish furniture designer and architect and a pioneer of the Modern Movement in architecture. Gray was bisexual. She mixed in the lesbian circles of the time, being associated with Romaine Brooks, Gabrielle Bloch, Loie Fuller, the singer Damia and Natalie Barney. Gray's intermittent relationship with Damia (or Marie-Louise Damien) ended in 1938, after which they never saw each other again, although both lived into their nineties in the same city. Damia died at La Celle-Saint-Cloud, a western suburb of Paris, and was interred in the Cimetière de Pantin (163 Avenue Jean Jaurès, 93500 Aubervilliers, France). Today, she is considered to be the third greatest singer of chansons réalistes, after Edith Piaf and Barbara.
• Reynaldo Hahn (1874-1947) was a Venezuelan, naturalised French, composer, conductor, music critic, diarist, theatre director, and salon singer.
• Harry Graf Kessler (1868-1937) was an Anglo-German count, diplomat, writer, and patron of modern art. In his introduction to “Berlin Lights” (2000) Ian Buruma asserted Kessler was homosexual and struggled his whole life to conceal it.
• Boris Yevgen'yevich Kochno (1904-1990), was hired as the personal secretary to Serge Diaghilev, the impresario of the famed Ballets Russes. He served in this capacity until Diaghilev's death in 1929. In addition to his other duties, he also wrote several ballet libretti for the troupe. He died in 1990 in Paris following a fall. He was buried next to Wladimir Augenblick who died in 2001.
• Marie Laurencin (1883-1956) was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d'Or. She became romantically involved with the poet Guillaume Apollinaire, and has often been identified as his muse. In addition, Laurencin had important connections to the salon of the American expatriate and famed lesbian writer Natalie Clifford Barney. She had heterosexual and lesbian affairs. During WWI, Laurencin left France for exile in Spain with her German-born husband, Baron Otto von Waëtjen, since through her marriage she had automatically lost her French citizenship. The couple subsequently lived together briefly in Düsseldorf. After they divorced in 1920, she returned to Paris, where she achieved financial success as an artist until the economic depression of the 1930s. During the 1930s she worked as an art instructor at a private school. She lived in Paris until her death.
• Mary Elizabeth Clarke Mohl (1793–1883) was a British writer who was known as a salon hostess in Paris. She was known by her nickname of "Clarkey". She was admired for her independence and conversation. She eventually married the orientalist Julius von Mohl. She was an ardent Francophile, a feminist, and a close friend of Florence Nightingale. She wrote about her interest in the history of women's rights. She was buried with her husband, Julius von Mohl, at Père Lachaise Cemetery (56th division).
• Mathilde (Missy) de Morny (1863-1944), a French noblewoman, artist and transgender figure, she became a lover of several women in Paris, including Liane de Pougy and Colette.
• Francis Poulenc (1899–1963) was a French composer and pianist. The biographer Richard D. E. Burton comments that, in the late 1920s, Poulenc might have seemed to be in an enviable position: professionally successful and independently well-off, having inherited a substantial fortune from his father. He bought a large country house, Le Grande Coteau (Chemin Francis Poulenc, 37210 Noizay, France), 140 miles (230 km) south-west of Paris, where he retreated to compose in peaceful surroundings. Yet he was troubled, struggling to come to terms with his sexuality, which was predominantly gay. His first serious affair was with the painter Richard Chanlaire, to whom he sent a copy of the Concert champêtre score inscribed, "You have changed my life, you are the sunshine of my thirty years, a reason for living and working". Nevertheless, while this affair was in progress Poulenc proposed marriage to his friend Raymonde Linossier. As she was not only well aware of his homosexuality but was also romantically attached elsewhere, she refused him, and their relationship became strained. He suffered the first of many periods of depression, which affected his ability to compose, and he was devastated in January 1930, when Linossier died suddenly at the age of 32. On her death he wrote, "All my youth departs with her, all that part of my life that belonged only to her. I sob ... I am now twenty years older". His affair with Chanlaire petered out in 1931, though they remained lifelong friends. On 30 January 1963, at his flat opposite the Jardin du Luxembourg, Poulenc suffered a fatal heart attack. His funeral was at the nearby church of Saint-Sulpice. In compliance with his wishes, none of his music was performed; Marcel Dupré played works by Bach on the grand organ of the church. Poulenc was buried at Père Lachaise Cemetery, alongside his family.
• Marcel Proust (1871-1922) was a French novelist, critic, and essayist best known for his monumental novel “À la recherche du temps perdu” (In Search of Lost Time), published in seven parts between 1913 and 1927. Also his friend and sometime lover, Reynaldo Hahn is buried here.
• Raymond Radiguet (1903–1923) was a French novelist and poet whose two novels were noted for their explicit themes, and unique style and tone. In early 1923, Radiguet published his first and most famous novel, “Le Diable au corps” (The Devil in the Flesh). The story of a young married woman who has an affair with a sixteen-year-old boy while her husband is away fighting at the front provoked scandal in a country that had just been through WWI. Though Radiguet denied it, it was established later that the story was in large part autobiographical. He associated himself with the Modernist set, befriending Picasso, Max Jacob, Jean Hugo, Juan Gris and especially Jean Cocteau, who became his mentor. Radiguet also had several well-documented relationships with women. An anecdote told by Ernest Hemingway has an enraged Cocteau charging Radiguet (known in the Parisian literary circles as "Monsieur Bébé" – Mister Baby) with decadence for his tryst with a model: "Bébé est vicieuse. Il aime les femmes." ("Baby is depraved. He likes women.") Radiguet, Hemingway implies, employed his sexuality to advance his career, being a writer "who knew how to make his career not only with his pen but with his pencil." Aldous Huxley is quoted as declaring that Radiguet had attained the literary control that others required a long career to reach. On December 12, 1923, Radiguet died at age 20 in Paris of typhoid fever, which he contracted after a trip he took with Cocteau. Cocteau, in an interview with The Paris Review stated that Radiguet had told him three days prior to his death that, "In three days, I am going to be shot by the soldiers of God." In reaction to this death Francis Poulenc wrote, "For two days I was unable to do anything, I was so stunned". In her 1932 memoir, “Laughing Torso,” British artist Nina Hamnett describes Radiguet's funeral: "The church was crowded with people. In the pew in front of us was the negro band from the Boeuf sur le Toit. Picasso was there, Brâncuși and so many celebrated people that I cannot remember their names. Radiguet's death was a terrible shock to everyone. Coco Chanel, the celebrated dressmaker, arranged the funeral. It was most wonderfully done. Cocteau was too ill to come." ... "Cocteau was terribly upset and could not see anyone for weeks afterwards.”
• Mlle Raucourt (1756-1815) was a French actress.
• Salomon James de Rothschild (1835–1864) was a French banker and socialite. He was the father of Baroness Hélène van Zuylen.
• Raymond Roussel (1877-1933) wrote and published some of his most important work between 1900 and 1914, and then from 1920 to 1921 traveled around the world. He continued to write for the next decade, but when his fortune finally gave out, he made his way to a hotel in Palermo, Grand Hotel Et Des Palmes (Via Roma, 398, 90139 Palermo), where he died of a barbiturate overdose in 1933, aged 56.
• Gertrude Stein (1874-1946) was an American writer of novels, poetry and plays. In 1933, Stein published a kind of memoir of her Paris years, “The Autobiography of Alice B. Toklas,” written in the voice of Toklas, her life partner. Alice B. Toklas (1877-1967) was an American-born member of the Parisian avant-garde of the early XX century. They are buried together.
• Pavel Tchelitchew (1898-1957), Russian-born surrealist painter. Loved by Edith Sitwell, he then in turn fell in love with Charles Henry Ford and moved with him in New York City.
• Oscar Wilde (1854-1900) was an Irish playwright, novelist, essayist, and poet.



Queer Places, Vol. 3 edited by Elisa Rolle
ISBN-13: 978-1532906695
ISBN-10: 1532906692
Release Date: July 24, 2016
CreateSpace Store: https://www.createspace.com/6228901
Amazon (print): http://www.amazon.com/dp/1532906692/?tag=elimyrevandra-20
Amazon Kindle: http://www.amazon.com/dp/B01IZXI10E/?tag=elimyrevandra-20

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