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This novel reminded me of a very nice movie, Undertow, with a tragic ending, and so I was reading it teetering on the edge of fear, wanting to like these characters but afraid of what would be of them. Lucky for me, this is a romance, and of course, although non-conventional and not even totally rounded, there was a some sort of happily ever after for them.

Ori is finally coming back home, but unfortunately his childhood friend, and unrequited love, Kalani, is not waiting for him, or at least, not in a way Ori is happy to acknowledge. Kalani is in coma, according to the doctors it’s irreversible, and Kalani’s foster mother is asking Ori’s consent to detach the machines maintaining his body alive. When Kalani was attacked, Ori tried to come back home as soon as possible, but instead he ended up doing 1 year of prison for attacking his superior officer. Now one year later, Kalani’s situation didn’t change, and basically they are waiting only for Ori to have the chance to say goodbye. But the same night, Kalani’s spirit appears to Ori, and he is very much alive. Both Kalani than Ori know Kalani’s body is dying, and basically Kalani is asking Ori to let it go, but Ori thinks that, if he will be able to solve a mystery in Kalani’s past, that will allow his spirit to find peace. But finding peace will mean that Kalani will really go forever, in a place where Ori and him will not have the chance to be finally together, unless Ori doesn’t follow him there too.

Hawaiian’s tradition are quite complex, and they are a mix of religion and myth. What I always find in these novels is the feeling that the admixture between them is so strong that paranormal becomes almost ordinary, seeing spirits is exceptional but not extraordinaire, and to someone like Ori, after the first surprise, is natural to accept Kalani is real and in need of his help. Ori and Kalani’s relationship, before and after Kalani’s accident, is bittersweet, already marked by tragedy, even before they were born.

This is not an easy novel, the plot is complex, made even more that by the different flashback not in chronological order, and at one point we even go back before Ori and Kalani were born, to a totally different pair who perhaps share the same forbidden love. More than paranormal, Hawaiian Gothic is spiritual, new age, mystic; if you like all these you will love it.

http://www.loose-id.com/hawaiian-gothic.html

Amazon Kindle: Hawaiian Gothic
Publisher: Loose Id LLC (June 12, 2012)

Reading List: http://www.librarything.com/catalog_bottom.php?tag=reading list&view=elisa.rolle
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I'm a faithful reader of T.A. Chance from the beginning; long or short, with cowboys or sport stars, fantasy, historical or contemporary, a new story by T.A. Chase always climbs the first place in my reading list. They are always different but still there is always this mix of romance and naughty sex that make them so good. And in a way, I can say that T.A. Chase loves everyone of his characters.

Padraig is a ghost; but he is not living in Paradise, he is wandering the earth since when he died, he left too much things behind, above all his unrequited love for Gareth. When he was in life, Padraig was an hot head; he worked in the docks in Belfast and he was not exactly a good boy. And probably he didn't believe he was good enough for Gareth, a shy man who worked as employee in the docks office. Padraig and Gareth exchanged glances but seldom words, and at the moment Padraig died in a fight bar, he had just gathered enough courage to go finally talk to Gareth. Only that he hadn't time to do so.

Gareth is a really nice character, but who came out in full in this novella is Padraig. I can almost see him, always self deprecating himself, always thinking that, someone like him, doesn't deserve anything better than what he gets. As a dead man, he almost arrives to think that, well, maybe it's better that he ended like that, for his mother and Gareth will only be better without him. Even when he has the possibility to come back to life in the body of another man, a dying man, he has still this little doubt that maybe the dying man was better than him, and so he shouldn't deprive him of his life: mind you, Patrick doesn't do nothing to "kill" the man, he only happens to be there at the right moment for him to possess the body of a man that would die in any case.

Ten years for Padraig were without "time". Padraig knew he was a ghost, but for him time means nothing and so, when on St. Patrick's Day he has a second chance with Gareth, for him it's like he left the man only seconds ago. Not the same for Gareth, who is mourning his lost chance with Padraig for years, even more since when Padraig died, he received his last gift, the token which should have marked the beginning of their love together. And so when he is approached in a bar by a man with the same green eyes of Padraig, he does the unthinkable, he brings him home. Probably since so many years ago Gareth hadn't the courage to grasp his chance at love, and he always regretted it, now Gareth gives to this "second" Padraig in his life the chance he didn't give to old Paddy.

This is a novella and so spans only a night and a day in Padraig and Gareth's life. Their present time together is spent practically always in bed, like they have to make up for the lost time; the romanticism and the sugary feelings arrive all from their past together, even in few words, T.A. Chase manages to let you imagine the life of these men, when they were young and full of hope, when they still had all their life ahead of them. From here derives the mix between sex and romance I said before: when the reader is almost to the edge of tears, thinking to all the lost things, then he is plunged in an erotic scene, that even if detailed, it's never vulgar.

http://www.mlrbooks.com/ShowBook.php?book=TACGHOST

Reading List: http://www.librarything.com/catalog_bottom.php?tag=reading list&view=elisa.rolle
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This is the first book I read by this author, but even if I’m not sure, I suppose this is not a debut novel. The story is too polished, and the hand too expert for this to be a tryout, I really had the feeling I was reading the product of a skilled author. I have to be true, ghosts and zombies are not really my thing, and I was not really sure I wanted to continue reading it when I realized where the story was going, but the characters got me, and I couldn’t leave without knowing what was of them.

Goth-beauty Leif and farm-boy Dan were apparently a stereotype, and I was already imagining them playing by the “rules”, emo-style and all; but that is not what happened, and actually the author spent a great deal of time to build their relationship, giving time to them and to the reader to be really sure what was happening wasn’t something fading away in few hours of passions. The romance part of the story was well plotted as it was the paranormal-horror.

It’s not the first time I read about this type of horror, but I tend to not like it too much for the gruesome details; in Hainted, the author managed to have all the horror and tension with less “splatter”. I don’t know, it’s not easy to explain, but it was like she was more contained, less searching for the exploitation, but maintaining all the scariness anyway. Sure Hainted is not for the fainting reader, but nevertheless it can be within the range of who doesn’t mind a little bit of horror if the romance is good.

My compliments to Jordan L. Hawk to manage a self-published book which had all the feeling of a consummate author’s novel.

Amazon Kindle: Hainted
Sold by: Amazon Digital Services, Inc.

Reading List: http://www.librarything.com/catalog_bottom.php?tag=reading_list&view=elisa.rolle
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This is the story of Emma and Mandy; if this sentence sounds strange, giving that Mandy is for most of the novel a second stage character we hear only through a phone, that was my feeling. I was really not liking much Emma at the beginning, since my idea was that she was not treating well Mandy; Emma and Mandy have a 15 years long relationship, and despite this, Emma is still hiding things to Mandy, something I relate to not trusting her, and who you can trust if not the person you love? i.e. Emma was not really in love with Mandy. I’m happy I was wrong, and what you will read, if you trust my words, is “also” the romance of Emma and Mandy.

There is a plethora of supporting characters, Beau, Peter, Genevieve, Sharon, and of course Cora Beth and Annie, but while I was intrigued by Cora Beth and Annie’s story, my heart and hope were on Emma and Mandy. Nevertheless I enjoyed this paranormal romance, how the author deals with Emma’s extra sensorial experience, must of all, I liked that everything felt realistic, even if the word could be odd in this contest: true, there is a paranormal experience, but in any case the focus remained in the very much ordinary, and contemporary, story of Emma and Mandy, with their highs and falls.

Yet another thing that intrigued me was Charleston; I have actually in mind to visit the place this same year, and coincidence was that I’m planning it right now. Reading this book gave me the push towards including the town in my trip that I needed. I cannot say if the descriptions are realistic, but I hope so, because I would like to find the same quaint feeling I had of it in the real thing.

Amazon: Out of the Past
Amazon Kindle: Out of the Past
Paperback: 244 pages
Publisher: L-Book ePublisher (August 15, 2012)
Language: English
ISBN-10: 1934889997
ISBN-13: 978-1934889992

Reading List: http://www.librarything.com/catalog_bottom.php?tag=reading list&view=elisa.rolle
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This is a more than nice story taking back alive the old fashioned love stories of an handsome and wealthy American man meeting a same young and pretty English rose. Only that, in this case, the English rose is a male specimen.

Cody is arrived in England mostly to distance himself from an abusive lover. The excuse is to follow the restoration work on an old cottage his family owns in Ferrers’ Arms, a small village. Ferrers’ Amrs is exactly like you would imagine it, just a cross, a church, an inn and an old manor. And of course there is an handsome man living in the old manor, of course a bachelor. Actually there are three, but one is a priest and the other is straight, so of the three brothers, only Sebastian is the right match for Cody.

I like that actually nor Cody or Sebastian are the ordinary romance hero. Cody is a troubled young man, but he is not weak; he is running away from a tragic past, but he is trying to cope, and he is willing to fall in love again. He has money, but that is only a way for the author to make it possible for him to be in England without time limit, he has all the time he needs to patch it back his life and preparing the path for a future of love with Sebastian.

Sebastian is handsome and kind, but again, he is not the perfect romance hero. He is from an ancient family, but he is land rich and cash poor. Despite this, he is not at all interested in the fact that Cody has money, he doesn’t even investigate how Cody can afford to be there in England without an apparent job. Sebastian is one year young than Cody, making him 26 years old, and indeed he is behaving exactly like a young man in love; he is not an hero, he is not perfect and he is only 26 years old.

The relationship between Cody and Sebastian is sweet; I would dare to say it’s not passionate, but that is not what Cody needs now. Cody needs sweetness, reassurance, comfortable; I think Cody would be scared by passion, he would run away from passion. Sebastian’s sweet approach is what allows him to get near to Cody, to quietly and kindly open each protective layer Cody put around his heart.

The ghost story is a nice supporting plot to Cody and Sebastian’s love story. It’s a little sad, but with an happily ever after like that of Cody and Sebastian.

https://spsilverpublishing.com/product_book_info/glbt-mystery-suspense-action-c-53_59/the-gallows-tree-ebook-p-706

Amazon Kindle: The Gallows Tree
Publisher: Silver Publishing (January 6, 2012)

Reading List: http://www.librarything.com/catalog_bottom.php?tag=reading list&view=elisa.rolle
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At the end of the nineteen century, two lovers have to face the worst of separation, death. They are both men, but this is not the story of how difficult it was for them to be together, when the story starts they are a couple and they would be happy if not that Philip is deathly ill, consumption, and day after day he is fading away. Jonathan, who is also the wealthier of the two, decides to bring Philip in a big mansion just outside New Orleans, not in the hope to see him better, but to alleviate his last months; in the isolated place, with only the servants as witnesses, Jonathan and Philip are building memories that will serve to Jonathan to survive losing his lover.

There is a bit of paranormal element in the story, but it’s basically an historical short story. The author devoted enough words to describing the setting, the disposition of the mansion where the lovers are living, with the highlight of the “modern” comforts wealth allow them, like an in-house bathroom.

I like also the shift in power between the two men, something that explain Jonathan’s desperation in losing Philip and his apparently incapacity to go on alone: when the story starts Philip is so ill, that Jonathan seems, and is, the strongest of the two; it’s him who takes care of Philip, like a mother with a son, even if there is always the underlying spark of desire. But before Philip’s illness, it was Philip the master in the couple, Jonathan was his pet; without Philip, Jonathan has no balance, no reason to survive his master.

Of Death and Desire is a nice short story, with enough development to give the reader enough material to imagine what in the short story itself there is no time to tell.

Amazon Kindle: Of Death and Desire
Publisher: BWLPP (March 20, 2011)

Reading List:

http://www.librarything.com/catalog_bottom.php?tag=reading+list&view=elisa.rolle

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