
The book is almost parted in two different stories. The first one is a sexy romp, almost a play of domino, where different men were paired one with each other, or even one with two others. The main lovers, Brendon and Eduardo, are still teenager when the story starts; this is probably the only thing that sound a little wrong to my ear, since the nor Brendon or Eduardo behave or talk like teenagers, but then, the story I believe is set in a time and place where being a teenager meant being old enough to be considered a man. Coming back to our heroes, Brendon and Eduardo are lovers, and the first chapter is a long, loud and detailed sex scene en plein air; as soon as the chapter ends, Cal, Brendon and Eduardo's buddy friend, enters the scene, and not only he enters also the sex scene, and the second chapter is another long, loud and detailed sex scene. And to better present all the players in this story, chapter three is another long, loud and detailed sex scene, this time even with some paranormal element, between Calenza, the shaman who will be the puppeteer of the story, and Malone, Brendon's father. Chapter four is about Graham, a ranch hand for whom Brendon has a passing interest, and his almost unwilling sex scene with Brendon, this time not long, loud and detailed, but quite down and dirty... means that it's played in the mud. Finally chapter five is about Galin, Malone's long time lover, and the man who shares Malone with Calenza, or maybe it's viceversa.
After all this overflowing sex, the first part ends and the real story begins... I believe this is quite an original way to deal a story. Usually the cards are lied down, the connections build and then, when the reader is ready and willing, the sex begins. Some stories have few some oher have more, but more or less, who is reading was carefully prepared to it. Here instead the impact is suddenly and immediate: almost without notice, the reader is faced with a variety of partners and positions... he has no idea of what the story will be, he has almost no time to go down from an apex than soon after he is riding again the rollercoast for another one. This is William Maltese, he is overflowing, suddenly, unexpected; he has no embankments or reins, and all his sex scenes are brought on with words that flourish one after the other, stretching the sentence till almost its maximum limit. If you try to read it aloud, you will probably loose your breath in the attempt.
And then William Maltese proves that he is also able to actually write also the story, not only the sex. Again, with a sudden break, from the continuous apexes he was just a moment before, the reader is plunged inside the story. The time is changed, the connections between the men he was just accustomed with are also changed, and he has to learn them all over again. Some of them are long dead, and in a way, it's even more disconcerting since just two chapters before those men were so much alive. Also the mood of the story is different, more dark and oppressive, harsher like those young men of long time ago now are. And also the reasons that push them are now cold, no more the passion for the man you love, but the thirst for gold, the gold that Calenza is trying to protect and preserve for the Ridgemont legacy. This second part is maybe the real story, but I liked better the first one, I liked better the fresh and unreined passion of those young men then the bitterness inside the older Brendon, forced to marry to have an heir, and ending alone, without a wife, an heir and even a lover, and searching in every men he meets the one he lost, Eduardo.
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Ride The Man Down
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