2010-08-13

reviews_and_ramblings: (Default)
2010-08-13 10:12 pm

Elven Journals: Unseen Paths by Scarlet Hyacinth

With this book Scarlet Hyacinth has achieved two results: first she proves she has matured from that first book I read, that had potential but that maybe too often fell into the traps for first time published authors, and second she proves also that, even if you are writing an “elven” story this doesn’t mean that your characters have to be beautiful and ethereal men dressed in frilly garments.

On the contrary, if not for the author who tells us these men are elves, aside for the pointed ears and the immortality, they are not much different from “ordinary” fantasy warriors and heroes. Jan’ke is a Darl Elf and a General of his people; he joined the war like many other young men did, in this fictional story and in reality, hoping to help his people, and instead found out that war is not heroic, but only death and pain. He is tired and he would well like to be left alone, with his pain; but Jan is also an important man, and his family want political bindings with the fae elves, and Jan will be the “bridge”.

During a party in the fae palace, Jan meets Alix, a blind fae elf; despite his disability, Alix is a warrior as well, and like Jan, he doesn’t like the war; the two men find a common ground and a solid basis to build a relationship, starting from friendship but soon landing in love. The problem is that, Jan has not the strength to fully opposing to his family’s plan, and Alix has a secret, a secret even to himself, that pushes him towards violence, the same violence he said he abhor.

I liked how the author balanced the two men; even if Alix is blind and also lower in social and military status, I have never found that he was “inferior” to Jan. Moreover, even if he assumes the submissive role during their lovemaking, this doesn’t influence so much his external behaviour, he is, and still remains, a warrior. Even the beauty of the two men, Alix more fragile and ethereal, Jan more dark and handsome, is described but not “emphasized”.

The camaraderie between the two arrives before love, and so for this reason, the first part of the book is a little more “dry”, and sex comes a bit later. But even when it comes, nor Alix or Jan turn in shrinking violets: Alix is not emasculated, even when he is weak and ill, he is the same man, the same warrior, the man in which Jan found a soul mate, someone who shared his same experience in a battlefield, and looked at it at the same way.

Actually, Unseen Paths is at the same time a romance but also a “military” journal: part of the story is told in retrospective, from the same words of Jan or Alix, who are remembering their past actions, and maybe trying to understand if they regret something. What they probably are judging as wrong is their “planning”, but never their love: even if it’s not emphasized by words and actions, the feeling is nevertheless strong and sustains both of them when they need it.

https://www.nobleromance.com/ItemDisplay.aspx?i=131

Amazon Kindle: Elven Journals: Unseen Paths

Reading List:

http://www.librarything.com/catalog_bottom.php?tag=reading list&view=elisa.rolle
reviews_and_ramblings: (Default)
2010-08-13 10:12 pm

Elven Journals: Unseen Paths by Scarlet Hyacinth

With this book Scarlet Hyacinth has achieved two results: first she proves she has matured from that first book I read, that had potential but that maybe too often fell into the traps for first time published authors, and second she proves also that, even if you are writing an “elven” story this doesn’t mean that your characters have to be beautiful and ethereal men dressed in frilly garments.

On the contrary, if not for the author who tells us these men are elves, aside for the pointed ears and the immortality, they are not much different from “ordinary” fantasy warriors and heroes. Jan’ke is a Darl Elf and a General of his people; he joined the war like many other young men did, in this fictional story and in reality, hoping to help his people, and instead found out that war is not heroic, but only death and pain. He is tired and he would well like to be left alone, with his pain; but Jan is also an important man, and his family want political bindings with the fae elves, and Jan will be the “bridge”.

During a party in the fae palace, Jan meets Alix, a blind fae elf; despite his disability, Alix is a warrior as well, and like Jan, he doesn’t like the war; the two men find a common ground and a solid basis to build a relationship, starting from friendship but soon landing in love. The problem is that, Jan has not the strength to fully opposing to his family’s plan, and Alix has a secret, a secret even to himself, that pushes him towards violence, the same violence he said he abhor.

I liked how the author balanced the two men; even if Alix is blind and also lower in social and military status, I have never found that he was “inferior” to Jan. Moreover, even if he assumes the submissive role during their lovemaking, this doesn’t influence so much his external behaviour, he is, and still remains, a warrior. Even the beauty of the two men, Alix more fragile and ethereal, Jan more dark and handsome, is described but not “emphasized”.

The camaraderie between the two arrives before love, and so for this reason, the first part of the book is a little more “dry”, and sex comes a bit later. But even when it comes, nor Alix or Jan turn in shrinking violets: Alix is not emasculated, even when he is weak and ill, he is the same man, the same warrior, the man in which Jan found a soul mate, someone who shared his same experience in a battlefield, and looked at it at the same way.

Actually, Unseen Paths is at the same time a romance but also a “military” journal: part of the story is told in retrospective, from the same words of Jan or Alix, who are remembering their past actions, and maybe trying to understand if they regret something. What they probably are judging as wrong is their “planning”, but never their love: even if it’s not emphasized by words and actions, the feeling is nevertheless strong and sustains both of them when they need it.

https://www.nobleromance.com/ItemDisplay.aspx?i=131

Amazon Kindle: Elven Journals: Unseen Paths

Reading List:

http://www.librarything.com/catalog_bottom.php?tag=reading list&view=elisa.rolle
reviews_and_ramblings: (Default)
2010-08-13 10:43 pm

Behind the Cover: Harry Bennett (3/3)

Some of the not romance or not gothic cover art by Harry Bennett; he is also famous for some of the best mystery/thriller covers out there:


Vin Packer is one of the pen name of Marijane Meaker, the one she uses for Spring Fire, that is credited with launching the genre of lesbian pulp fiction, although the majority of Packer's books didn't address homosexuality or gay characters.

more covers )

reviews_and_ramblings: (Default)
2010-08-13 10:43 pm

Behind the Cover: Harry Bennett (3/3)

Some of the not romance or not gothic cover art by Harry Bennett; he is also famous for some of the best mystery/thriller covers out there:


Vin Packer is one of the pen name of Marijane Meaker, the one she uses for Spring Fire, that is credited with launching the genre of lesbian pulp fiction, although the majority of Packer's books didn't address homosexuality or gay characters.

more covers )

reviews_and_ramblings: (Default)
2010-08-13 10:46 pm

Behind the Cover: Harry Bennett (2/3)

Harry Bennett painted over 800 covers in the Golden Era of Gothic Romance Paperbacks, and was the go-to guy for the big name best-selling authors of the day: Victoria Holt, Dorothy Eden, Barbara Michaels, Phyllis Whitney, and Mary Stewart.





more covers )
reviews_and_ramblings: (Default)
2010-08-13 10:46 pm

Behind the Cover: Harry Bennett (2/3)

Harry Bennett painted over 800 covers in the Golden Era of Gothic Romance Paperbacks, and was the go-to guy for the big name best-selling authors of the day: Victoria Holt, Dorothy Eden, Barbara Michaels, Phyllis Whitney, and Mary Stewart.





more covers )
reviews_and_ramblings: (Default)
2010-08-13 11:22 pm

Behind the Cover: Harry Bennett (1/3)

Born in Lewisboro, NY, in 1925 to Anna Karlsson Bennett, a swedish immigrant who had recently been widowed, Harry Bennett was raised in Ridgefield, Ct and went on to serve in the south Pacific during World War ll. He studied art at the American Academy of Art in Chicago and worked as a painter and illustrator back in Connecticut for clients such as Pepsi-Cola and U.S.Keds and he raised 5 children as a freelancer. Tom, his younger son and an artist as well, said: "I lived and breathed his studio and wanted to be him. He is a wonderful, patient, loving man with a brilliant sense of both design and direct power with the plastic medium."

Vintage Romance Covers:



more covers )

Bennett spent much of his early career shuttling back and forth between New York and his home in Connecticut. Bennett's paintings of women had caught the eye of publishing execs, and he quickly became one of the most sought after gothic romance illustrators. "Because I could paint a woman sowell I was never without work," says Bennett.

The covers were works of art, and are collected to this day. As a simple internet search will reveal, even worn gothic paperbacks with Harry Bennett cover art get special notice. Bennett painted them all large, so he could stay loose and fast."I like to bounce off the easel, I can't do that when I'm standing still," he says.

Not all of Bennett's work in those decades was destined for mass market paperbacks. He also caught the attention of the mainstream art world. The New York Society of Illustrators awarded him a bronze medal for the drawings he created to illustrate a boxed, collectors’ edition of Dante's Divine Comedy published in 1966. But after years catering to the needs of publishing giants Simon and Schuster, Western Printing, and Avon Press, the artist was spent and looking for a new muse and a new beginning.

Bennett migrated to Oregon in 1986. When a friend brought him out to Astoria he was instantly hooked, and he moved here in 1989. “When I got here, everything became alive again,” Bennett says. “It was flowing like crazy, I couldn’t stop painting.” The move was a significant turning point in his career. His style became even looser, more abstract, and more spontaneous. “When one explodes into expressionistic painting it’s almost like another person comes out,” he says. “I even surprised myself. ”And it wasn’t just the place, which enchanted him, it was also the people. “What makes this area great is the people. Everyone I ran into had a smile,” Bennett says. “Boy did that feel good! I never really got that in Connecticut.”

As the saying goes, you get what you give, and Bennett’s youthful vigor attracted many fans and many believers. Despite his move to a smaller market, when Bennett arrived in Oregon, his paintings sold like hotcakes. Bennett estimates that he’s created hundreds of oil paintings here in Astoria, inspired by the energy of the northwest coast, its people and places. He is particularly entranced by the ever-changing quality of the light here, the moodiness of the weather, and by what he likes to call “water energy.”

After almost twenty years in Astoria, Bennett returned to the East Coast in 2008 to be closer to his extended family. Bennett’s son Thomas is also a nationally recognized painter. The younger Bennett calls Brooklyn home, but also shows his work at RiverSea Gallery.

Large-scale oil paintings of reclining nudes, gorgeous women, and pulsating landscapes have become the focus of Bennett’s work. The structures and figures in his oils bend and sway with a fervent intensity. “I don’t distort people - I distort the painting,” says Bennett. Calling the distortion “the way I feel it,” he says that such emphasis reveals the mystery and excitement he feels about painting and life. Bennett developed his own “black oil” based on a technique use by Peter Paul Rubens in the 16th century. Bennett’s experiments with linseed oil, red lead, and wax were inspired by Rubens’ startling color and skin tones.

Gothic Romance covers: http://elisa-rolle.livejournal.com/1101564.html

Mystery/Thriller covers: http://elisa-rolle.livejournal.com/1101086.html

Some of Harry Bennett's sketches:



more pics )
reviews_and_ramblings: (Default)
2010-08-13 11:22 pm

Behind the Cover: Harry Bennett (1/3)

Born in Lewisboro, NY, in 1925 to Anna Karlsson Bennett, a swedish immigrant who had recently been widowed, Harry Bennett was raised in Ridgefield, Ct and went on to serve in the south Pacific during World War ll. He studied art at the American Academy of Art in Chicago and worked as a painter and illustrator back in Connecticut for clients such as Pepsi-Cola and U.S.Keds and he raised 5 children as a freelancer. Tom, his younger son and an artist as well, said: "I lived and breathed his studio and wanted to be him. He is a wonderful, patient, loving man with a brilliant sense of both design and direct power with the plastic medium."

Vintage Romance Covers:



more covers )

Bennett spent much of his early career shuttling back and forth between New York and his home in Connecticut. Bennett's paintings of women had caught the eye of publishing execs, and he quickly became one of the most sought after gothic romance illustrators. "Because I could paint a woman sowell I was never without work," says Bennett.

The covers were works of art, and are collected to this day. As a simple internet search will reveal, even worn gothic paperbacks with Harry Bennett cover art get special notice. Bennett painted them all large, so he could stay loose and fast."I like to bounce off the easel, I can't do that when I'm standing still," he says.

Not all of Bennett's work in those decades was destined for mass market paperbacks. He also caught the attention of the mainstream art world. The New York Society of Illustrators awarded him a bronze medal for the drawings he created to illustrate a boxed, collectors’ edition of Dante's Divine Comedy published in 1966. But after years catering to the needs of publishing giants Simon and Schuster, Western Printing, and Avon Press, the artist was spent and looking for a new muse and a new beginning.

Bennett migrated to Oregon in 1986. When a friend brought him out to Astoria he was instantly hooked, and he moved here in 1989. “When I got here, everything became alive again,” Bennett says. “It was flowing like crazy, I couldn’t stop painting.” The move was a significant turning point in his career. His style became even looser, more abstract, and more spontaneous. “When one explodes into expressionistic painting it’s almost like another person comes out,” he says. “I even surprised myself. ”And it wasn’t just the place, which enchanted him, it was also the people. “What makes this area great is the people. Everyone I ran into had a smile,” Bennett says. “Boy did that feel good! I never really got that in Connecticut.”

As the saying goes, you get what you give, and Bennett’s youthful vigor attracted many fans and many believers. Despite his move to a smaller market, when Bennett arrived in Oregon, his paintings sold like hotcakes. Bennett estimates that he’s created hundreds of oil paintings here in Astoria, inspired by the energy of the northwest coast, its people and places. He is particularly entranced by the ever-changing quality of the light here, the moodiness of the weather, and by what he likes to call “water energy.”

After almost twenty years in Astoria, Bennett returned to the East Coast in 2008 to be closer to his extended family. Bennett’s son Thomas is also a nationally recognized painter. The younger Bennett calls Brooklyn home, but also shows his work at RiverSea Gallery.

Large-scale oil paintings of reclining nudes, gorgeous women, and pulsating landscapes have become the focus of Bennett’s work. The structures and figures in his oils bend and sway with a fervent intensity. “I don’t distort people - I distort the painting,” says Bennett. Calling the distortion “the way I feel it,” he says that such emphasis reveals the mystery and excitement he feels about painting and life. Bennett developed his own “black oil” based on a technique use by Peter Paul Rubens in the 16th century. Bennett’s experiments with linseed oil, red lead, and wax were inspired by Rubens’ startling color and skin tones.

Gothic Romance covers: http://elisa-rolle.livejournal.com/1101564.html

Mystery/Thriller covers: http://elisa-rolle.livejournal.com/1101086.html

Some of Harry Bennett's sketches:



more pics )