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Gregory Nunzio Corso was an American poet, youngest of the inner circle of Beat Generation writers.
Born: March 26, 1930, Greenwich Village, New York City, New York, United States
Died: January 17, 2001, Robbinsdale, Minnesota, United States
Spouse: Belle Carpenter (m. ?–2001)
Movies: Pull My Daisy, The Godfather Part III, Johnny Thunders: What About Me
Parents: Michelina Corso, Sam Corso
Lived: Beat Hotel, Relais Hôtel du Vieux Paris, 9, rue Git-le-Coeur, 6th arr., 75006 Paris, France (48.85391, 2.34285)
Hotel Chelsea
Buried: Campo Cestio, Rome, Città Metropolitana di Roma Capitale, Lazio, Italy

The Beat Hotel was a small, run-down hotel of 42 rooms at 9 Rue Gît-le-Cœur in the Latin Quarter of Paris, notable chiefly as a residence for members of the Beat poetry movement of the mid-XX century.
Address: Relais Hôtel du Vieux Paris, 9, rue Git-le-Coeur, 6th arr., 75006 Paris, France (48.85391, 2.34285)
Type: Guest facility (open to public)
Phone: +33 1 44 32 15 90
Place
The Beat Hotel was a "class 13" hotel, meaning bottom line, a place that was required by law to meet only minimum health and safety standards. It never had any proper name – "the Beat Hotel" was a nickname given by Gregory Corso, which stuck. The rooms had windows facing the interior stairwell and not much light. Hot water was available Thursdays, Fridays and Saturdays. The hotel offered the opportunity for a bath – in the only bathtub, situated on the ground floor – provided the guest reserved time beforehand and paid the surcharge for hot water. Curtains and bedspreads were changed and washed every spring. The linen was (in principle) changed every month. The Beat Hotel was managed by a married couple, Monsieur and Madame Rachou, from 1933. After the death of Monsieur Rachou in a traffic accident in 1957, Madame was the sole manager until the early months of 1963, when the hotel was closed. Besides letting rooms, the establishment had a small bistro on the ground floor. Due to early experiences with working at an inn frequented by Monet and Pissarro, Madame Rachou would encourage artists and writers to stay at the hotel and even at times permit them to pay the rent with paintings or manuscripts. One unusual thing that appealed to a clientele of bohemian artists was the permission to paint and decorate the rooms rented in whichever way they wanted. The hotel gained fame through the extended “family” of beat writers and artists who stayed there from the late 1950s to the early 1960s in a ferment of creativity. Allen Ginsberg and Peter Orlovsky first stayed there in 1957 and were soon joined by William S. Burroughs, Derek Raymond, Harold Norse and Gregory Corso, as well as Sinclair Beiles. It was here that Burroughs completed the text of “Naked Lunch” and began his lifelong collaboration with Brion Gysin. It was also where Ian Sommerville became Burroughs’ “systems advisor” and lover. Gysin introduced Burroughs to the Cut-up technique and with Sommerville they experimented with a “dream machine” and audio tape cut-ups. Here Norse wrote a novel, “Beat Hotel,” using cut-up techniques. Ginsberg wrote a part of his moving and mature poem “Kaddish” at the hotel and Corso wrote the mushroom cloud-shaped poem “Bomb.” There is now a small hotel, the four-star Relais du Vieux Paris, at that address. It displays photographs of several Beat personalities and describes itself as "The Beat Hotel.” In July 2009, as part of a major William Burroughs symposium, NakedLunch@50, a special tribute was held outside 9 Rue Gît-le-Coeur, with Jean-Jacques Lebel unveiling a plaque commemorative, now permanently hammered to the outside wall next to the main entrance, honoring the Beat Hotel’s seven most famous occupants: B. Gysin, H. Norse, G. Corso, A. Ginsberg, P. Orlovsky, I. Sommerville, W. Burroughs.
Life
Who: William Seward Burroughs II (February 5, 1914 – August 2, 1997)
William Burroughs moved into the rundown hotel in the Latin Quarter of Paris in 1959 when “Naked Lunch” was still looking for a publisher. Tangier, with its easy access to drugs, small groups of homosexuals, growing political unrest, and an odd collection of criminals, had become increasingly unhealthy for Burroughs. He went to Paris to meet Ginsberg and talk with Olympia Press. In so doing, he left a brewing legal problem, which eventually transferred itself to Paris. Paul Lund, a British former career criminal and cigarette smuggler whom Burroughs met in Tangier, was arrested on suspicion of importing narcotics into France. Lund gave up Burroughs, and some evidence implicated Burroughs in the possible importation of narcotics into France. Once again, the man faced criminal charges, this time in Paris for conspiracy to import opiates, when the Moroccan authorities forwarded their investigation to French officials. Yet it was under this impending threat of criminal sanction that Maurice Girodias published “Naked Lunch;” the publication helped in getting Burroughs a suspended sentence, since a literary career, according to Ted Morgan, is a respected profession in France. The "Beat Hotel" was a typical European-style boarding house hotel, with common toilets on every floor, and a small place for personal cooking in the room. Life there was documented by the photographer Harold Chapman, who lived in the attic room. This shabby, inexpensive hotel was populated by Gregory Corso, Ginsberg and Peter Orlovsky for several months after “Naked Lunch” first appeared. The actual process of publication was partly a function of its "cut-up" presentation to the printer. Girodias had given Burroughs only ten days to prepare the manuscript for print galleys, and Burroughs sent over the manuscript in pieces, preparing the parts in no particular order. When it was published in this authentically random manner, Burroughs liked it better than the initial plan. International rights to the work were sold soon after, and Burroughs used the $3,000 advance from Grove Press to buy drugs (equivalent to approximately $24,353 in today’s funds.) “Naked Lunch” was featured in a 1959 Life magazine cover story, partly as an article that highlighted the growing Beat literary movement. During this time Burroughs found an outlet for material otherwise rendered unpublishable in Jeff Nuttall’s My Own Mag. Also, some of Burroughs poetry appeared in the avant garde little magazine Nomad at the beginning of the 1960s. Ian Sommerville (1940–1976) was an electronics technician and computer programmer. He is primarily known through his association with William S. Burroughs’s circle of Beat Generation figures, and lived at Paris’s so-called "Beat Hotel" by 1960, when they were regulars there, becoming Burroughs’s lover and "systems adviser.” He died in a single-car accident due to inexperience near Bath, England in 1976 shortly after obtaining his first driving licence.



Queer Places, Vol. 3 edited by Elisa Rolle
ISBN-13: 978-1532906695
ISBN-10: 1532906692
Release Date: July 24, 2016
CreateSpace Store: https://www.createspace.com/6228901
Amazon (print): http://www.amazon.com/dp/1532906692/?tag=elimyrevandra-20
Amazon Kindle: http://www.amazon.com/dp/B01IZXI10E/?tag=elimyrevandra-20

The Hotel Chelsea – also called the Chelsea Hotel, or simply the Chelsea – is a historic New York City hotel and landmark, known primarily for the notability of its residents over the years.
Address: 222 W 23rd St, New York, NY 10011, USA (40.74431, -73.9969)
Type: Guest facility (open to public)
Phone:+1 616-918-8770
National Register of Historic Places: 77000958, 1977
Place
Built between 1883 and 1885, Design by Hubert, Pirsson & Company (Philip Gengembre Hubert (1830-1911) and James W. Pirrson (1833-1888))
Opened for initial occupation in 1884, the twelve-story red-brick building that is now the Hotel Chelsea was one of the city’s first private apartment cooperatives. It was designed in a style that has been described variously as Queen Anne Revival and Victorian Gothic. Among its distinctive features are the delicate, flower-ornamented iron balconies on its facade, which were constructed by J.B. and J.M. Cornell and its grand staircase, which extends upward twelve floors. Generally, this staircase is only accessible to registered guests, although the hotel does offer monthly tours to others. At the time of its construction, the building was the tallest in New York. Hubert and Pirsson had created a "Hubert Home Club" in 1880 for "The Rembrandt,” a six-story building on West 57th Street intended as housing for artists. This early cooperative building had rental units to help defray costs, and also provided servants as part of the building staff. The success of this model led to other "Hubert Home Clubs,” and the Chelsea was one of them. Initially successful, its surrounding neighborhood constituted the center of New York’s theater district. However within a few years the combination of economic stresses, the suspicions of New York’s middle class about apartment living, the opening up of Upper Manhattan and the plentiful supply of houses there, and the relocation of the city’s theater district, bankrupted the Chelsea. In 1905, the building reopened as a hotel, which was later managed by Knott Hotels and resident manager A.R. Walty. After the hotel went bankrupt, it was purchased in 1939 by Joseph Gross, Julius Krauss, and David Bard, and these partners managed the hotel together until the early 1970s. With the passing of Joseph Gross and Julius Krauss, the management fell to Stanley Bard, David Bard’s son. On 18 June, 2007, the hotel’s board of directors ousted Bard as the hotel’s manager. Dr. Marlene Krauss, the daughter of Julius Krauss, and David Elder, the grandson of Joseph Gross and the son of playwright and screenwriter Lonne Elder III, replaced Stanley Bard with the management company BD Hotels NY; that firm has since been terminated as well. In May, 2011, the hotel was sold to real estate developer Joseph Chetrit for US$80 million. As of August 1, 2011, the hotel stopped taking reservations for guests in order to begin renovations, but long-time residents remain in the building, some of them protected by state rent regulations. The renovations prompted complaints by the remaining tenants of health hazards caused by the construction. These were investigated by the city’s Building Department, which found no major violations. In Nov. 2011, the management ordered all of the hotel’s many artworks taken off the walls, supposedly for their protection and cataloging, a move which some tenants interpreted as a step towards forcing them out as well. In 2013, Ed Scheetz became the Chelsea Hotel’s new owner after buying back five properties from Joseph Chetrit, his partner in King & Grove Hotels, and David Bistricer. Hotel Chelsea is now managed by Chelsea Hotels, formerly King & Grove Hotels. Restoration and renovation is underway and Hotel Chelsea plans to reopen in 2016.
Notable queer resident at Hotel Chelsea:
• William S. Burroughs (1914-1997), novelist, short story writer, satirist, essayist, painter, and spoken word performer. A primary figure of the Beat Generation and a major postmodernist author who wrote in the paranoid fiction genre, he is considered to be "one of the most politically trenchant, culturally influential, and innovative artists of the XX century.”
• Arthur C. Clarke (1917-2008) wrote “2001: A Space Odyssey” while staying at the Chelsea.
• Quentin Crisp (1908-1999), writer and raconteur. His first stay in the Hotel Chelsea coincided with a fire, a robbery, and the death of Nancy Spungen.
• Musician, gay civil rights icon and Stonewall veteran Stormé DeLarverie (1920-2014) resided at the hotel for several decades.
• Poets Allen Ginsberg (1926-1997) and Gregory Corso (1930-2001) chose it as a place for philosophical and artistic exchange.
• Brad Gooch (born 1952), writer. His 2015 memoir “Smash Cut” recounts life in 1970s and 1980s New York City, including the time Gooch spent as a fashion model, life with his then-boyfriend filmmaker Howard Brookner, living in the famous Chelsea Hotel and the first decade of the AIDS crisis.
• Herbert Huncke (1915-1996), writer and poet. In his last few years, he lived in room 828, where his rent came from financial support from Jerry Garcia of The Grateful Dead, whom Huncke never met. Herbert Huncke died in 1996 at age 81.
• Iggy Pop (born 1947), singer-songwriter, musician and actor. Pop’s career received a boost from his relationship with David Bowie when Bowie decided in 1972 to produce an album with Pop in England.
• Charles R. Jackson (1903-1968), author of “The Lost Weekend,” committed suicide in his room on September 21, 1968.
• Jasper Johns (born 1930), painter and printmaker. In 1954, after returning to New York, Johns met Robert Rauschenberg and they became long-term lovers. For a time they lived in the same building as Rachel Rosenthal. In the same period he was strongly influenced by the gay couple Merce Cunningham (a choreographer) and John Cage (a composer.)
• Jack Kerouac (1922-1969), who wrote “On the Road” there.
• Lance Loud (1951-2001), television personality, magazine columnist and new wave rock-n-roll performer. Loud is best known for his 1973 appearance in “An American Family,” a pioneer reality television series that featured his coming out, leading to his status as an icon in the gay community.
• Robert Mapplethorpe (1946-1989), photographer, known for his sensitive yet blunt treatment of controversial subject-mater in the large-scale, highly stylized black and white medium of photography. The homoeroticism of this work fuelled a national debate over the public funding of controversial artwork.
• Larry Rivers (1923-2002), artist, musician, filmmaker and occasional actor. Poet Jeni Olin was his companion. Rivers also sustained a relationship with poet Frank O’Hara in the late 1950s and delivered the eulogy at O’Hara’s funeral in 1966.
• Patti Smith (born 1946), singer-songwriter, poet and visual artist. On November 17, 2010, she won the National Book Award for her memoir “Just Kids.” The book fulfilled a promise she had made to her former long-time roommate and partner, Robert Mapplethorpe.
• Virgil Thomson (1896-1989), composer and critic. In 1925 in Paris, he cemented his relationship with painter Maurice Grosser (1903-1986), who was to become his life partner and frequent collaborator. He and Grosser lived at Hotel Chelsea, where he presided over a largely gay salon that attracted many of the leading figures in music and art and theather, including Leonard Bernstein, Tennessee Williams, and many others. Virgil Thomson died on September 30, 1989, in his suite at the Hotel Chelsea in Manhattan, aged 92.
• Gore Vidal (1925-2012), writer and a public intellectual known for his patrician manner, epigrammatic wit, and polished style of writing.
• Rufus Wainwright (born 1973), lived in the Chelsea Hotel in New York City for six months, during which he wrote most of his second album.
• Tennessee Williams (1911-1983), playwright and author of many stage classics. Along with Eugene O’Neill and Arthur Miller he is considered among the three foremost playwrights in XX century American drama.
• Hotel Chelsea is often associated with the Warhol superstars, as Andy Warhol and Paul Morrissey directed “Chelsea Girls” (1966), a film about his Factory regulars and their lives at the hotel. Chelsea residents from the Warhol scene included Edie Sedgwick, Viva, Ultra Violet, Mary Woronov, Holly Woodlawn, Andrea Feldman, Nico, Paul America, René Ricard, and Brigid Berlin.



Queer Places, Vol. 1 edited by Elisa Rolle
ISBN-13: 978-1532901904
ISBN-10: 1532901909
Release Date: July 24, 2016
CreateSpace Store: https://www.createspace.com/6228297
Amazon (print): http://www.amazon.com/dp/1532901909/?tag=elimyrevandra-20
Amazon (kindle): http://www.amazon.com/dp/B01IZ1BU9K/?tag=elimyrevandra-20

The Cimitero Acattolico ("Non-Catholic Cemetery") of Rome, often referred to as the Cimitero dei protestanti ("Protestant Cemetery") or Cimitero degli Inglesi ("Englishmen's Cemetery"), is a public cemetery in the rione of Testaccio in Rome.
Address: Via Caio Cestio, 6, 00153 Roma, Italy (41.8763, 12.4795)
Type: Cemetery (open to public)
Phone: +39 06 574 1900
Place
The Protestant Cemetery is near Porta San Paolo and adjacent to the Pyramid of Cestius, a small-scale Egyptian-style pyramid built in 30 BC as a tomb and later incorporated into the section of the Aurelian Walls that borders the cemetery. It was formerly called Cimitero Anticattolico, the anti-Catholic cemetery. It has Mediterranean cypress, pomegranate and other trees, and a grassy meadow. It is the final resting place of non-Catholics including but not exclusive to Protestants or British people. The earliest known burial is that of a University of Oxford student named Langton in 1738. The English poets John Keats and Percy Bysshe Shelley are buried there.
Notable queer burials at Campo Cestio:
• Hendrik Christian Andersen (April 15, 1872 – December 19, 1940), sculptor, friend of Henry James. A bust of the young Count Alberto Bevilacqua, a muse of sculptor Hendrik Christian Andersen, remains in the home of Henry James, Lamb House, in Rye, England. Henry James to Henrik Andersen, three years later, upon the death of Andersen’s brother: “The sense that I can’t help you, see you, talk to you, touch you, hold you close & long, or do anything to make you rest on my, & feel my deep participation – this torments me, dearest boy, makes my ache for you, & for myself; makes me gnash my teeth & groan at the bitterness of things. . . . This is the one thought that relieves me about you a little – & I wish you might fix your eyes on it for the idea, just, of the possibility. I am in town for a few weeks, but return to Rye Apr. 1, & sooner or later to have you there & do for you, to put my arm round you & make you lean on me as on a brother & a lover, & keep you on & on, slowly comforted or at least relieved of the bitterness of pain – this I try to imagine as thinkable, attainable, not wholly out of the question.”
• Dario Bellezza (1944–1996), Italian poet, author and playwright
• Enrico Coleman (1846–1911), artist and orchid-lover, friend of Giovanni “Nino” Costa (who was special friend with Elihu Vedder)
• Gregory Corso (1930–2001), American beat generation poet
• The tomb of Maria Bollvillez (Zona V.7.18) was the first of de Fauveau’s commissions from the Russian aristocracy. Félicie de Fauveau (1801–1886) was a XIX-century French sculptor who was a precursor of the pre-Raphaelite style. Her multiple sculptural works showcase a variety of techniques and mediums including marble, stone, glass and bronze. Her family connections to the restored Bourbon court of Charles X led to commissions that helped launch her early career in Paris. But in 1830 when Charles X was forced to abdicate, de Fauveau paid for her opposition to the new order by being imprisoned for three months and then, in 1833, went into exile in Florence. She made a striking figure on arrival there: as Ary Scheffer’s portrait shows, she had adopted an androgynous appearance, with cropped hair and male clothing. One visitor reported that she had vowed to keep her hair short until the Bourbon monarchy was restored in France (it never was). Her admirers included Italian opera singer Angelica Catalani and Elizabeth and Robert Browning, who had also made their home in Florence. De Fauveau’s works were coveted by the city’s Russian ex-pats including Anatole Demidoff; the artist received multiple commissions from the industrialist and enjoyed the friendship of his wife Caroline Bonaparte. The Tsar Nicolas I purchased various works from the artist and his daughter Maria Nikolaieva was given a dagger, now at the Louvre, whose handle is engraved with scenes from Shakespeare’s “Romeo and Juliet.” Guy Cogeval (Musée d’Orsay) uses the word lesbienne (lesbian) in his introduction to the catalogue for the exhibition “The Amazon of sculpture”, whereas Christophe Vital mentions on the adjacent page that Félicie de Fauveau was sans doute (without doubt) in love with the young (male) page who died in the Vendée (Charles de Bonnechose, for whom Félicie designed a monument on her prison wall). Michelle Facos also explicitly suggests that Félicie de Fauveau might have been a lesbian in her “Introduction to Nineteenth-Century Art” ( 2011). Usually her relationship to the Countess de la Rochejaquelein is then referred to.
• Denham Fouts (1914-1948), referenced in literary works by Christopher Isherwood, Truman Capote, and Gore Vidal. He was also a friend of George Platt Lynes, who photographed him. Isherwood described him as a mythic figure, "the most expensive male prostitute in the world." Fouts died in 1948, at the Pensione Foggetti, in Rome, at the age of 35.
• Wilhelm von Humboldt (1794–1803), son of the German diplomat and linguist Wilhelm von Humboldt and nephew of Alexander von Humboldt
• Hans von Marées (1837–1887), German painter
• Dora Ohlfsen (1878-1948) was born as Dorothea Ohlfsen-Bagge in Ballarat, Victoria. Her father was Norwegian, Christian Herm Ohlfsen-Bagge, probably born in Schleswig (northern Germany now), and her mother, Kate Harison, Australian. She claimed that her great-grandfather was the Sydney convict printer, Robert Howe. Dora was educated at Sydney Girls High School and studied piano privately with Max Volgrich and Henri Kowalski. She traveled to Germany in 1883 to continue her piano studies under Moritz Moszkowski in Berlin; however, when she contracted neuritis, she began teaching music in Germany and later in Russia, after completing piano studies at Theodor Kullak’s Neue Akademie der Tonkunst. She lived in St Petersburg with a Madame Kerbitz and took up painting; she sold one of her work to the Czarina. Her extentive knowledge of languages gained her employement with the American ambassador and allowed her to write on music, theatre, drama and art for Russian and American newspaper. After traveling through various Baltic countries, she settled in Rome to study sculpture at the French Academy and with French engraver, Pierre Dautel. She produced many medallions using academic portraits, included Lord Chelmsford, Sir James Fairfax and General Peppino Garibaldi, and Symbolyst compositions. Church commissions came from Cardinal O’Connell of Boston and Josef Alteneisel, Prince-Bishop of Brixen in the Tyrol. The medallion in bas-relief of the Prince Bishop of Brizen, Tyrol, is among her finest productions. It has been praised in the French and Italian papers as "the wonderful achievement of a beautiful young Australian, who has only studied art for a comparatively short time" (June 10 1908). During WWI she became a Red Cross nurse in Italy. The Fascist government were patrons of her work and she produced a large relief portrait medallion of Mussolini and a war memorial, “Sacrificio,” at Formia, in 1924-26. Ohlfsen was commissioned by Mussolini to design this memorial because her art studies had been solely in Italy and she had nursed Italian soldiers during the war. This is the only work of its kind in Italy to be made by a woman or a foreigner. William Moore in the Brisbane Courier of 8 March 1930 referred to her as the artist who modelled a bust of Nellie Stewart; she also sculpted the head of W.A. Holman in plaster. In 1948, she and her companion, the Russian Baroness Hélène de Kuegelgen (1879-1948), were found gassed in her studio in Rome at Via di S. Nicola da Tolentino, 00187 Roma, close to the Spanish Steps. They had been living at that address, in an area traditionally associated with artists’ studios, for nearly half a century. Police said the deaths were accidental. Hélène de Kuegelgen was the daughter of Pavel Kuegelgen and Alexandra, nee Zhudlovsky. They had moved to Italy in 1902 from St. Petersburg, a city they both loved but which they accurately saw as being on the brink of revolution. Hélène (Elena) was from a well-connected family of Balten Germans, with one uncle a physician to the Tsar and another editor of the Petersburger German newspaper. Her family also boasted several prominent artists, two of them court painters. Dora and Hélène are buried together. A relief bust of the god Dionysius, one hand raised in a gesture of blessing, watches over one of the most distinctive graves in the Cemetery (Zone 1.15.28). Ohlfsen's work is represented in the collections of the British Museum and the Petit Palais in Paris, and in Australian collections including Museum Victoria and the Art Gallery of New South Wales.
• John Addington Symonds (1840–1893), English poet and critic
• Pavel Fedorovich Tchelitchew (1898-1957), Russian surrealist painter, long-time partner of Charles Henri Ford. Campo Cestio is the original burial place, he was then moved to Cimetière du Père Lachaise in Paris.
• Una Vincenzo, Lady Troubridge (1887-1983), died in Rome in 1963; she had left written instructions that her coffin be placed in the vault in Highgate Cemetery where Hall and Batten had been buried, but the instructions were discovered too late. She is buried in the English Cemetery in Rome, and on her coffin is inscribed "Una Vincenzo Troubridge, the friend of Radclyffe Hall".
• Elihu Vedder (1836–1923), American painter, sculptor, graphic artist
• Constance Fenimore Woolson (1840–1894) was an American novelist, poet, and short story writer. She was a grandniece of James Fenimore Cooper, and is best known for fictions about the Great Lakes region, the American South, and American expatriates in Europe. In 1893 Woolson rented an elegant apartment on the Grand Canal of Venice. Suffering from influenza and depression, she either jumped or fell to her death from a fourth story window in the apartment in January 1894, surviving for about an hour after the fall She is also memorialized by Anne's Tablet on Mackinac Island, Michigan.



Queer Places, Vol. 3 edited by Elisa Rolle
ISBN-13: 978-1532906695
ISBN-10: 1532906692
Release Date: July 24, 2016
CreateSpace Store: https://www.createspace.com/6228901
Amazon (print): http://www.amazon.com/dp/1532906692/?tag=elimyrevandra-20
Amazon Kindle: http://www.amazon.com/dp/B01IZXI10E/?tag=elimyrevandra-20

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