First of all I would like to re-post what the same author wrote to introduce the story: Whipster deals with the ethical issues surrounding youth prostitution in a fantasy setting based on Edwardian times. The novel has no onscreen sex and little onscreen violence. The primary focus of the story is on the interactions between the adult characters.
I wanted to repost the same words, since, even if in a fantasy setting, the author chose to not use the easy way to have only boys "of legal age" to act as "whores". In his fantasy world, a boy in age to be an apprentice could be "sold" by his parents to a whorehouse; sex between adult paying customers and underage boys (between 11 and 21 years old) is not only allowed, but in some case also promoting by the government. Said boys, obviously, should immediately interrupt their profession once they reach the 21 years age, and find another job... that it's quite impossible since they are shunned by society and most of the time they end to beggar or worst.
Michael was one of those boys; having him a strong will he survived through his teen years, with the help of two other boys: the fellow whore Hasan, a boy two years younger than him, and the good boy Janus, the son of an important family who decided to go against his same family to befriend a whore. And when Michael is forced to "retire" to the "old" age of 21 years old, Janus and Michael open their business, a whorehouse. It could sound strange that Janus, a man who only has in mind the good of the boys, accepts to be the one who whores them, but probably he accept the lesser evil: giving them an healthy house, the chance to study and the possibility to save some money during their apprentice, could allow them to not end on the street when they are of age. These are Janus' reason. And Michael? he claims to not having heart, but in all the book, I never see him mistreat a boy, but truth be told, I didn't find a reason for him to open a whorehouse if not that it's the only thing that he knew; and maybe also since in this way he has a reason to bind Janus to him.
Between Janus and Michael there is not a classical love story, but it's not only a friendship. Michael says that Janus is his conscience, and maybe, if Janus asked, he would allow the man to being intimate with him, but they have not that type of relationship. Michael is not able to "physically" love, for him sex is not love, and so he can't associate it with Janus. And then there is Hasan: Michael loves also Hasan, and so neither with him he can have a physical relationship. In a way Michael needs both men: Hasan represents his past and Janus his future, and so he needs both of them in his life, but no one of them can't be "touched" and "defiled" by sex.
On the other two characters, I believe that Hasan, if asked in the right way, would allow his relationship with Michael to enter a new personal level, and instead I don't understand Janus. I really believe that he loves Michael, but probably Janus can't see possible a physical relationship with a man: Janus is like some of those men who see love as a pure relationship, and so something beyond the sex gender; he loves Michael, and he can understand that Michael has "needs" and so, probably, he accepts Hasan by his side, above all since Hasan himself said to Janus that Michael is a better man for having near him a friend like Janus. So Janus knows that, in Michael's heart, he is on a upper level than Hasan, and this is the only important thing for him.
In a way Janus is too perfect for me to fully like him, I always prefer more faulty characters like Michael and Hasan; for Janus is simple to be perfect, since he is born perfect; for Michael and Hasan was an hard way, and so, even if they are not fully perfect, I like them better.
http://duskpeterson.com/michaelshouse/index.htmReading List:
http://www.librarything.com/catalog_bottom.php?tag=reading list&view=elisa.rolle
Online I haven't found any personal detail about Lynn M. Bartlett, she seems disappear. But she is one of the first historical romance author I read, I believe the first with a Roman Empire setting, so I will re-post a review (not mine) on that book. If someone now what happened to her...
Online I haven't found any personal detail about Lynn M. Bartlett, she seems disappear. But she is one of the first historical romance author I read, I believe the first with a Roman Empire setting, so I will re-post a review (not mine) on that book. If someone now what happened to her...
Mark is an Australian Olympic Gymnast that during New Year's Eve of 2000 (the year in which Olympic were held in Sydney) instead of enjoying the holiday, is practicing. Mark is not at the best of his performance, but as an Australian athlete he can't not going to the Olympics, even if, maybe, it's not what he really wants. What Mark really wants is his lover Daniel, an mining engineer who is working far from Sydney: with Mark's training and physical problems, he can't leave Sydney, and Daniel can leave the mine only few time a year.
Mark is an Australian Olympic Gymnast that during New Year's Eve of 2000 (the year in which Olympic were held in Sydney) instead of enjoying the holiday, is practicing. Mark is not at the best of his performance, but as an Australian athlete he can't not going to the Olympics, even if, maybe, it's not what he really wants. What Mark really wants is his lover Daniel, an mining engineer who is working far from Sydney: with Mark's training and physical problems, he can't leave Sydney, and Daniel can leave the mine only few time a year.
Director: Jeffery London 
Director: Jeffery London 
First of all I would like to re-post what the same author wrote to introduce the story: Whipster deals with the ethical issues surrounding youth prostitution in a fantasy setting based on Edwardian times. The novel has no onscreen sex and little onscreen violence. The primary focus of the story is on the interactions between the adult characters.
At the beginning of the twenty century a family of three, mother, brother and sister are travelling by train to reach the future husband of the young woman. It's not a marriage of love, but an agreement: the older man will provide a comfortable home to the two women and will pay the tuition for the young man, too weak and bad illness to sustain himself and his family. It's years that Edwin is weak in body as in mind, having continuous nightmares that don't allow him to sleep and subsequently worsening his health. 
At the beginning of the twenty century a family of three, mother, brother and sister are travelling by train to reach the future husband of the young woman. It's not a marriage of love, but an agreement: the older man will provide a comfortable home to the two women and will pay the tuition for the young man, too weak and bad illness to sustain himself and his family. It's years that Edwin is weak in body as in mind, having continuous nightmares that don't allow him to sleep and subsequently worsening his health. 
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branchandroot
