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Promises by Marie Sexton
Jan. 31st, 2010 01:54 am
Apparently this is the classic “gay for you” story: best friend Jared falls for hunky cop Matt who for the love of the man, decided that being gay is not so bad after all… but it’s not so simple, and in the end, it’s quite the wrong description. First of all, at the beginning of the story Matt is not in the picture and Jared is living like a monk in a small town in Colorado. It’s the town where he was born and where his family, mother, brother and a sister in law he loves dearly, still lives. Jared went away only for College, but the degree he gained is taking dust on a drawer while Jared “works” in the family store. Work between quotes since there is not much work to do, and basically Jared is taking dust like his degree. But it’s the life he apparently chose, and so till now, no one put it in question.
Then Matt enters his life; friendly and handsome, raises the interest not only of Jared but also of all the free women in town. Matt though seems to prefer Jared’s company, and maybe he gave some conflicting signals, since Jared is not able to understand if he is wooed or not. When he tries to introduce the argument with Matt, he receives an embarrassed denial, maybe a little too fiery to not be suspicious, but Jared has too much at heart Matt’s friendship to insist. And sincerely, truth be told, I think Jared is quite happy like that, he has all the positive side of a relationship, companionship and friendship, without the negative aspects, jealousy and the unwelcomed attention of the town.
Jared blames a little Matt to be in the closet, but even if he is living in the open, Jared is as much in the closet as Matt; he has no open relationships, his only buddy friend is a seasonal tourist who he meets in the safe shelter of his house and never outside, around the town, probably no one knows of his existence. Jared blames the city, the conservative minds that would not accept him, but I think that it’s Jared that doesn’t accept himself. I think that Jared is even a bit embarrassed, since he likes men, but he doesn’t like as a stereotype gay man is; Jared is a beer and football guy, the only “oddity” in him is his preference for a bicycle instead of a truck, but other than that, I can easily picture him with a flannel shirt and cowboy boot, cheering for a football game with a beer in hand.
If you think well, Matt, with his love for books, his prim and proper look and all, he is more “gay” than the openly gay Jared. Jared claims to be gay but he doesn’t behave like that, Matt says he is not, but he is the one who resembles much one. Probably Matt is more gay than Jared, but he has never had the chance to test it, at first due to his family upbringing and then for his line of work.
I like the quiet evolution of their story, I like that Jared doesn’t push Matt, even if maybe he has hidden reason to do that, and I like how Matt arrives to his conclusion, with reasoning and carefulness, since now, I believe his decision is more firmly than one coaxed by sexual desire.
I like also the little town, it’s probably a more realistic shot than other fictional small town I read before; even if small, it’s a concentrated habitat, with good and bad people, with acceptance and refusal, but after all, not a bad place to live.
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Cover Art by Anne Cain
Apparently this is the classic “gay for you” story: best friend Jared falls for hunky cop Matt who for the love of the man, decided that being gay is not so bad after all… but it’s not so simple, and in the end, it’s quite the wrong description. 
Director: Chris Mason Johnson
Director: Chris Mason Johnson 
When I find a new author, usually I buy his backlist, if it’s not too long. And so it was with Stone Richards, Friends with Benefits was one of the story I bought, but I didn’t read it since there was something in the blurb that didn’t convince me, like it was not a romantic story. And it was strange since what is more romantic than a story set in Paris? Probably it was the ménages a trios thing, as usual I don’t like too much ménages, even if it is among three men. But in Friends with Benefits the ménages is not so relevant, it’s true, Ty and Hal have sex with another man, Pierre, but Pierre is more or less like a sexual toy, someone who joins the couple for a moment, but it’s not part of their story. 
When I find a new author, usually I buy his backlist, if it’s not too long. And so it was with Stone Richards, Friends with Benefits was one of the story I bought, but I didn’t read it since there was something in the blurb that didn’t convince me, like it was not a romantic story. And it was strange since what is more romantic than a story set in Paris? Probably it was the ménages a trios thing, as usual I don’t like too much ménages, even if it is among three men. But in Friends with Benefits the ménages is not so relevant, it’s true, Ty and Hal have sex with another man, Pierre, but Pierre is more or less like a sexual toy, someone who joins the couple for a moment, but it’s not part of their story. 
Finally a novel where a boy has the chance to prove that not all teenagers are troubled kid, and that, yes, it’s not simple to be gay, but it’s not even the end of the world. True, Bobby, the boy in question, is probably living in a better situation than the majority of the gay teenagers out there, and it’s easier for him, but still, what strongly comes out of this story (no pun intended), is that, if a teenager has a strong and supporting family on his back, and a good net of relationship in front, then you can be gay, and your story can be more educative than angst. 
Basically Out of the Pocket is the story of a teenager boy and his outing. Recently I read someone explain the difference between coming out and outing: you do coming out when you decide that it’s arrived the moment to do that, you are subjected to an outing when someone else decides that for you. So Out of the Pocket is not a coming out story, it’s an outing story, but it still preserve a positive vision that not often you find in a story like that: in the end, the reader has the feeling that, even if Bobby will not reach his dream, he will not have a bad life after all. 
Finally a novel where a boy has the chance to prove that not all teenagers are troubled kid, and that, yes, it’s not simple to be gay, but it’s not even the end of the world. True, Bobby, the boy in question, is probably living in a better situation than the majority of the gay teenagers out there, and it’s easier for him, but still, what strongly comes out of this story (no pun intended), is that, if a teenager has a strong and supporting family on his back, and a good net of relationship in front, then you can be gay, and your story can be more educative than angst. 
Basically Out of the Pocket is the story of a teenager boy and his outing. Recently I read someone explain the difference between coming out and outing: you do coming out when you decide that it’s arrived the moment to do that, you are subjected to an outing when someone else decides that for you. So Out of the Pocket is not a coming out story, it’s an outing story, but it still preserve a positive vision that not often you find in a story like that: in the end, the reader has the feeling that, even if Bobby will not reach his dream, he will not have a bad life after all. 
