The Tattooed Heart by J.M. Snyder

This is the classical example of short story that makes me love so much J.M. Snyder: it's a sweet and tender story, a bit naughty but not too much, and there is no sex at all. It's erotic without being pornographic, and it's all about the feelings, feelings that are simple and warm, like a homemade pie with a spicy taste.

Chris and Lee were old time friends, they met when they were still children and never be apart from that moment. Chris is the smaller of the two, in age and body, but he is actually the leader: what Chris wants, Lee does, and every single desire of Chris is like a duty for Lee. It's obvious that Lee is madly in love with Chris, but Chris doesn't really see his friend. Lee is like an old blanket, comfortable and warm, something you always search in the colder nights, but then, the morning after, you leave it at home while you go on with your day-to-day life. And Lee is too shy and unselfish to pretend more from his best friend, it's enough for him that Chris always comes back to him.

But something is changed, Chris has a boyfriend, and now, it's Barry that always comes first. It's on Barry that Chris, a tattoo artist, wants to try new things, Barry is like a blank canvas and Lee instead is already full of their past history together, an history that's inked on Lee's body. Lee is like Chris's photobook, instead of pictures of Chris in different stage of his life, there are his tattoo, from the beginning to the last, all on Lee's body.

Now Chris has to realize that what he has always wanted is right there and he hasn't to search for new shores, he already met the love of his life 20 years ago.

http://www.jms-books.com/index.php?main_page=product_info&cPath=29&products_id=215

Amazon Kindle: The Tattooed Heart
Publisher: JMS Books LLC (February 5, 2011)

The Tattooed Heart by J.M. Snyder

This is the classical example of short story that makes me love so much J.M. Snyder: it's a sweet and tender story, a bit naughty but not too much, and there is no sex at all. It's erotic without being pornographic, and it's all about the feelings, feelings that are simple and warm, like a homemade pie with a spicy taste.

Chris and Lee were old time friends, they met when they were still children and never be apart from that moment. Chris is the smaller of the two, in age and body, but he is actually the leader: what Chris wants, Lee does, and every single desire of Chris is like a duty for Lee. It's obvious that Lee is madly in love with Chris, but Chris doesn't really see his friend. Lee is like an old blanket, comfortable and warm, something you always search in the colder nights, but then, the morning after, you leave it at home while you go on with your day-to-day life. And Lee is too shy and unselfish to pretend more from his best friend, it's enough for him that Chris always comes back to him.

But something is changed, Chris has a boyfriend, and now, it's Barry that always comes first. It's on Barry that Chris, a tattoo artist, wants to try new things, Barry is like a blank canvas and Lee instead is already full of their past history together, an history that's inked on Lee's body. Lee is like Chris's photobook, instead of pictures of Chris in different stage of his life, there are his tattoo, from the beginning to the last, all on Lee's body.

Now Chris has to realize that what he has always wanted is right there and he hasn't to search for new shores, he already met the love of his life 20 years ago.

http://www.jms-books.com/index.php?main_page=product_info&cPath=29&products_id=215

Amazon Kindle: The Tattooed Heart
Publisher: JMS Books LLC (February 5, 2011)

Behind the Cover: Denis McLoughlin

Denis McLoughlin (April 15, 1918–April 22, 2002) was a well-known British illustrator.

After a career that touched eight decades, British illustrator Denis McLoughlin gained a degree of long overdue recognition in the late-1990s for his hard-boiled detective illustrations that graced book covers produced primarily for the London publishing house of T.V. Boardman, Ltd. (Boardman Books). It is this work, no doubt, with which McLoughlin will always be most strongly associated. Bio-bibliographer David Ashford claims for McLoughlin, "In the history of British Illustration there is no one who can be reasonably compared to him. He does not fit anywhere into the British tradition." Ashford concludes that when it comes to hard-boiled illustration, McLoughlin is simply the best.







Despite having produced over a hundred paperback covers, about 550 monthly Bloodhound Detective dust jacket illustrations, "scores" of Bloodhound Detective Story Magazine and other pulp magazine covers, and over a hundred other book covers, it is for his work in British comic books that Denis McLoughlin is best known. However, it would be impossible to consider the biography of Denis McLoughlin without touching the history of the Boardman publishing house at the same time.

Denis McLoughlin was born on April 15th, 1918, in Bolton, Lancashire, England, where he still resided at the time of his death, April 22, 2002. Always interested in drawing, McLoughlin credits his artistic influence as film, pulp magazines (particularly the covers), and American comics. In the 1930s he collected American True Detective type magazines and American pulp magazines. McLoughlin also sought out the work of Alex Raymond (Flash Gordon, Secret Agent Corrigan) who he also calls an influence. On scholarship, in 1932, he attended the Bolton School of Art, which survives today as the Bolton College of Art, but left the same year for employment with Ward & Copley Art Studio of Oxford Road, Manchester. At Ward & Copley from 1932 until about January 1940 when lack of business ended his employment, McLoughlin found himself creating product illustrations for catalogs and newspaper advertisements for 10/- a week.

( Boardman Books )

( British Army in World War II )

( Kangaroo Books )

( McLoughlin at Boardman Books )

( Rotogravure Series )

( Buffalo Bill Wild West Annuals )

( Adventure Annuals Series )

( Decline of Boardman Books )

( McLoughlin after Boardman )

( D.C. Thomson and Co., Ltd. )

Exactly a week after his 84th birthday and while in good health, Denis McLoughlin took his own life. He used a Colt revolver that had been part of his reference collection for years and that friends and family thought was non-functioning. The cause of Denis' death was not immediately revealed in the British press. Exactly why he chose to end his life can never be known. However, he had survived all of the persons dearest to him including his wife, Dorothy, and brother, Colin. Denis and Dorothy had no children.

Like many others who devoted their life to commercial art in the first half of the 20th century, Denis McLoughlin was never paid a great deal for his work. Many pieces of his artwork, the Boardman book covers in particular, which Denis had been promised would be returned to him, were either lost or ended up in private collections. While he made a living, Denis never accumulated much money. Although he had a pension from the British government, he was forced to augment his income by working long past retirement age. He once commented that he never particularly liked illustrating military topics and yet that is what he found himself doing for the last 20 years of his life. Perhaps, had he been given cowboy stories to illustrate, he might have been happier.

Source: http://en.wikipedia.org/wiki/Denis_McLoughlin

( more covers )

Behind the Cover: Denis McLoughlin

Denis McLoughlin (April 15, 1918–April 22, 2002) was a well-known British illustrator.

After a career that touched eight decades, British illustrator Denis McLoughlin gained a degree of long overdue recognition in the late-1990s for his hard-boiled detective illustrations that graced book covers produced primarily for the London publishing house of T.V. Boardman, Ltd. (Boardman Books). It is this work, no doubt, with which McLoughlin will always be most strongly associated. Bio-bibliographer David Ashford claims for McLoughlin, "In the history of British Illustration there is no one who can be reasonably compared to him. He does not fit anywhere into the British tradition." Ashford concludes that when it comes to hard-boiled illustration, McLoughlin is simply the best.







Despite having produced over a hundred paperback covers, about 550 monthly Bloodhound Detective dust jacket illustrations, "scores" of Bloodhound Detective Story Magazine and other pulp magazine covers, and over a hundred other book covers, it is for his work in British comic books that Denis McLoughlin is best known. However, it would be impossible to consider the biography of Denis McLoughlin without touching the history of the Boardman publishing house at the same time.

Denis McLoughlin was born on April 15th, 1918, in Bolton, Lancashire, England, where he still resided at the time of his death, April 22, 2002. Always interested in drawing, McLoughlin credits his artistic influence as film, pulp magazines (particularly the covers), and American comics. In the 1930s he collected American True Detective type magazines and American pulp magazines. McLoughlin also sought out the work of Alex Raymond (Flash Gordon, Secret Agent Corrigan) who he also calls an influence. On scholarship, in 1932, he attended the Bolton School of Art, which survives today as the Bolton College of Art, but left the same year for employment with Ward & Copley Art Studio of Oxford Road, Manchester. At Ward & Copley from 1932 until about January 1940 when lack of business ended his employment, McLoughlin found himself creating product illustrations for catalogs and newspaper advertisements for 10/- a week.

( Boardman Books )

( British Army in World War II )

( Kangaroo Books )

( McLoughlin at Boardman Books )

( Rotogravure Series )

( Buffalo Bill Wild West Annuals )

( Adventure Annuals Series )

( Decline of Boardman Books )

( McLoughlin after Boardman )

( D.C. Thomson and Co., Ltd. )

Exactly a week after his 84th birthday and while in good health, Denis McLoughlin took his own life. He used a Colt revolver that had been part of his reference collection for years and that friends and family thought was non-functioning. The cause of Denis' death was not immediately revealed in the British press. Exactly why he chose to end his life can never be known. However, he had survived all of the persons dearest to him including his wife, Dorothy, and brother, Colin. Denis and Dorothy had no children.

Like many others who devoted their life to commercial art in the first half of the 20th century, Denis McLoughlin was never paid a great deal for his work. Many pieces of his artwork, the Boardman book covers in particular, which Denis had been promised would be returned to him, were either lost or ended up in private collections. While he made a living, Denis never accumulated much money. Although he had a pension from the British government, he was forced to augment his income by working long past retirement age. He once commented that he never particularly liked illustrating military topics and yet that is what he found himself doing for the last 20 years of his life. Perhaps, had he been given cowboy stories to illustrate, he might have been happier.

Source: http://en.wikipedia.org/wiki/Denis_McLoughlin

( more covers )