Christopher Marlowe represents homoerotic situations and incidents in his plays and poems more frequently and more variously that any other major English Renaissance writer. His personal tastes are best expressed by his famous epigram: "All they that love not tobacco and boys are fools."Born in Canterbury in the same year as Shakespeare, Marlowe was his most significant predecessor as an English playwright who was also a great poet. The son of a cobbler who earned a scholarship to Cambridge, where he received a B.A. in 1584 and an M.A. in 1587, Marlowe pursued a course of study that was designed to culminate in holy orders, yet the most profound result of his education may have been his love of classical literature, especially Ovid, whom he was to translate and whose comic ironies and worldly sophistication were to influence him greatly.
A writer deeply immersed in both religion and classics, Marlowe reflects in his work the tension between Christian culture's condemnation and classical culture's acceptance of homoerotics.
He was probably an agent in the Elizabethan spy network run by Sir Francis Walsingham, yet he was frequently in trouble with authorities. In 1593, he was accused by Elizabeth's Privy Council of heresy and blasphemy, but before he could answer the indictment he was murdered in a tavern in Deptford.
Marlowe's famous lyric beginning "Come live with me, and be my love" is a brilliant recital of the pastoral delights with which Corydon attempts to woo Alexis in Virgil's homoerotic second eclogue. Marlowe's seductive poem economically imagines an idyllic, self-contained golden age far removed from the demands and constraints of Elizabethan society.
Yet what is most striking about it as an adaptation of the second eclogue is not that it contains homoerotic innuendoes but, quite to the contrary, that it suppresses the unapologetic homoeroticism of its source. By failing to specify the gender of the passionate shepherd's love, Marlowe may hint at the possibility of homosexual bliss, and thereby query the dominant assumptions of his society, but he never makes that teasing hint concrete or explicit.
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Citation Information
Author: Summers, Claude J.
Entry Title: Marlowe, Christopher
General Editor: Claude J. Summers
Publication Name: glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture
Publication Date: 2002
Date Last Updated July 24, 2006
Web Address www.glbtq.com/literature/marlowe_c.html
Publisher glbtq, Inc.
1130 West Adams
Chicago, IL 60607
Today's Date May 30, 2013
Encyclopedia Copyright: © 2002-2006, glbtq, Inc.
Entry Copyright © 1995, 2002 New England Publishing Associates
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