Agustín Gómez Arcos (or Agustin Gomez-Arcos, a name adopted during his exile in France) (Enix, Almería, Spain, January 15, 1933 - Paris, March 20, 1998) was a Spanish writer. Gómez Arcos was born into a large Republican family. He was youngest of seven brothers and was only three years old when the civil war broke out. During the war, his family was in trouble, suffering the postwar consequences of the Franco regime. From an early age, Agustín is interested with literature, which he uses as a mean of escape from the sad facts of life. His high school teacher in Almeria, Celia Viñas, encourages and guides his love for literature, making him known the classics and cultivating the interest of Augustine for writing and theater.
In 1953 he finished high school in Almería and moved to Barcelona, where he obtained a scholarship to enroll in law school. He collaborated for the literary magazine "Poesía Española", and published a collection of poems, "Ocasión de paganismo", and got a national prize for short stories for "El último Cristo". At the same time he was active in the theater group at the university. Three years after starting law school he decided to abandon it, and moved to Madrid with a clear purpose: to dedicate to the theater.
Back in Madrid, he worked as a playwright, actor, director and translator. He wrote a total of fifteen works: "Doña Frivolidad", "Elecciones generales", "El tribunal", "Balada matrimonial", "Diálogos de la herejía", "Los gatos" and "Queridos míos, es preciso contaros ciertas cosas". In 1960 he debuted in the theater with "Elecciones generales" that won a prize at the Primer Festival Nacional de Teatro Nuevo.
At the same time he also dedicated to the translation and adaptation of French plays: "La folle de Chaillot", "Intermezzo" by Jean Giraudoux and "La révélation" by René-Jean Clot. In 1962 he was finalist for the Premio Nacional Calderón de la Barca and won the Premio Nacional Lope de Vega for "Diálogos de la herejía", an award that was quickly snatched away after granting; the work was prohibited in all the Spanish stages in a political maneuver of censorship. In 1964 he finally managed to release it in a censored version. In 1965 he debuted with "Los gatos", also in a censorship version.
The Carnivorous Lamb, cover illustration by Mel Odom
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Source (in spanish): http://es.wikipedia.org/wiki/Agust%C3%ADn_G%C3%B3mez_Arcos
As frequently happens when bookish gay men are exploring their sexuality, I assumed the library was my best bet for discovery. [...] Somehow, in one of those serendipitous moments of chance, an inconspicuous book found its way into my hand. The title was intriguing — The Carnivorous Lamb — and immediately appealed to my hyper-Christian sensibilities associated with the word "lamb," not to mention the lamb imagery replete in Lorca‘s aforementioned play. First impressions are always lasting ones, and my first encounter with Gomez-Arcos was shrouded mythic possibilities which my mind has continued to romanticize ever since. --Richard Reitsma, for The Lost Library( Further Readings )
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