
Hugh "Binkie" Beaumont (27 March 1908 – 22 March 1973) was a British theatre manager and producer, sometimes referred to as the "éminence grise" of the West End Theatre. Though he shunned the spotlight so that his name was not known widely among the general public, he was one of the most successful and influential manager-producers in the West End during the middle of the 20th century. John Gielgud was a strong influence on Beaumont's aesthetic development, and they maintained a mutually beneficial association which survived despite a personal crisis when Gielgud's then partner John Perry fell for and moved in with Beaumont. Perry remained personally and professionally involved with Beaumont for the rest of the latter's life, and all three remained on close terms.
Beaumont was brought up in Cardiff, where he joined the staff of a local theatre at the age of fifteen. From there he built a career in theatrical management. His company, H. M. Tennent, which he co-founded in 1936, was based at the old Globe Theatre (now the Gielgud Theatre) in Shaftesbury Avenue, London. His success was based on lavish productions, starry casts and plays calculated to appeal to a West End audience. Among those with whom he was closely associated were Noël Coward and John Gielgud. His successes included new plays, revivals of classics, and musicals.
With the rise of state-subsidised theatre and avant garde plays from the mid-1950s onwards, Beaumont's genre of opulent productions of safe repertoire started to seem conventional. He recognised this by serving on the board of the new National Theatre during the last decade of his life.
( Read more... )Source:
en.wikipedia.org/wiki/Binkie_Beaumont
Sir Arthur John Gielgud, OM, CH (14 April 1904 – 21 May 2000) was an English actor, director, and producer. A descendant of the renowned Terry acting family, he achieved early international acclaim for his youthful, emotionally expressive Hamlet which broke box office records on Broadway in 1937. He was known for his beautiful speaking of verse and particularly for his warm and expressive voice, which his colleague Sir Alec Guinness likened to "a silver trumpet muffled in silk". Gielgud is one of the few entertainers who have won an Oscar, Emmy, Grammy, and Tony Award. Longtime partner Martin Hensler died in December 1998, 16 months before Gielgud's own death in 2000. He publicly acknowledged Hensler as his lover only in 1988, in the programme notes for The Best of Friends, which was his final stage performance.
John Gielgud was born in South Kensington in London to Kate Terry and Frank Gielgud. He was of theatrical lineage on his mother's side, being the grandson of actress Kate Terry, whose actor-siblings included Ellen Terry, Marion Terry and Fred Terry.
Gielgud's Catholic father, Franciszek Giełgud, born in 1880, was a descendant of a Polish noble family residing at a manor in a town called Giełgudyszki (now Gelgaudiškis in Marijampolė County, Lithuania). In his autobiography, Gielgud states repeatedly and clearly that his father was Polish Catholic, and mentions Gelgaudiškis as being his ancestral home whence his family and their surname originated.
Sir John Gielgud was an English actor, director, and producer. For Gielgud, true love arrives with a Hungarian, Martin Hensler, and Gielgud's letters of the time become saturated with a new, blissful sense of mutual dependence. Hensler was a chef, secretary, gardener, and was long-term lover of Gielgud from 1974. Gielgud bought his house in Wotton Underwood in Buckinghamshire and lived there with Hensler, for over 25 years, until Martin's death in 1998, even if their relationship began in 1962, when Gielgud picked up Martin, a designer exiled from Hungary, at an art exhibition.( Read more... )Source:
http://en.wikipedia.org/wiki/John_Gielgud

Arthur John Perry (born Woodruff, Co Tipperary 7 May 1906; died Cambridge 16 February 1995), actor, playwright, theatrical agent, was one of the last surviving members of H.M. Tennent Ltd - "the Firm", as it was known - which under the management of Hugh "Binkie" Beaumont dominated the West End and provincial theatres for more than 30 years. Founded in 1936, it flourished during the Second World War, and in the course of its existence produced over 400 plays, musicals, intimate revues and revivals of the classics. The name came to symbolise excellence of style, presentation and casting, setting standards which were the envy and admiration of its competitors on both sides of the Atlantic.
Perry's association with Beaumont began in 1938 when John Gielgud approached him and offered to direct a play Perry had written in collaboration with Molly Keane (under her pen-name M.J. Farrell), Perry's childhood friend and neighbour. Full of Irish wit and eccentric characters, the play, Spring Meeting (Ambassadors, 1938), provided Margaret Rutherford with a starring role and established her as a favourite with audiences and critics alike, a position she occupied with the Firm for the rest of her theatrical career. Simultaneously Gielgud agreed to make his first appearance for the Firm in Dodie Smith's Dear Octopus (Queen's, 1938) and apart from seasons at the Old Vic and Stratford-upon-Avon, remained as its brightest star for the next two decades. Gielgud subsequently staged two more of Perry's collaborations with Keane: Treasure Hunt (Apollo, 1949), an amusing vehicle for Sybil Thorndike, and Dazzling Prospect (Strand, 1961), which provided another comic role for Margaret Rutherford.
Perry was born at Woodruff, Co Tipperary, in 1906, and educated at Cheltenham College. He made his professional acting dbut as Jack Chesney in Charlie's Aunt in 1928, joined the Florence Glossop-Harris company for a tour of Canada and the West Indies and then left the stage to concentrate on writing. Among his other plays and adaptations were Kate O'Brien's The Last of Summer (Phoenix, 1944), Francis Brett Young's A Man About the House (Piccadilly, 1945) and Elizabeth Bowen's Castle Anna (Lyric Hammersmith, 1948). Although he never took his acting seriously, Perry found his career cut short by the Second World War and he served in the RAF for the next five years. In 1943, with support from Anthony Quayle, he was appointed ADC to the Governor of Gibraltar, which prompted Beaumont to organise a visit to the Rock by an all-star concert party which included Gielgud, Vivien Leigh, Elisabeth Welch and Michael Wilding. When his service career ended, Perry joined Beaumont at the Globe Theatre and eventually became a director of H.M. Tennent. Tall, fair-haired and elegant, at home in Ireland Perry was the typical gentleman, riding to hounds (he was joint master of his local pack, near Clonmel) and a keen gardener.
( Read more... )Source:
http://www.independent.co.uk/news/people/obituary--john-perry-1609773.html
Martin Hensler (1944 - December 1998) was a chef, secretary, gardner, and was long-term lover of Sir John Gielgud from 1974. Sir John bought his house in Buckinghamshire and lived there with Martin Hensler, for over 25 years, even if their relationship has begun in 1962. (
Picture: Actors in Plague over England, the acclaimed West End play about John Gielgud)
Gielgud's Letters, 800-plus missives, written between 1912 and 1999, are with his mother, his onetime lover Paul Anstee, the actress Irene Worth, photographer and designer Cecil Beaton and the playwright Hugh Wheeler. The early part of the volume is dominated by correspondence to his mother (the only family member who figures prominently), and is full of excited career talk as he achieves success. Then comes the romance with Anstee — tarnished by Anstee's jealousy and Gielgud's insistence that "I can't really share my life completely with anybody." Finally, true love arrives with a Hungarian, Martin Hensler, and Gielgud's letters become saturated with a new, blissful sense of mutual dependence.
When Gielgud died at the age of 96, he was lauded as the last of the great theatre-knights: an actor and director whose work enriched the 20th century. But his friends, lovers and contemporaries also knew him as an eloquent writer. His letters range in tone from the mischievous and outré to the fearful and desperate - when he is threatened by a blackmailer.
Such was his fear of exposure that it was only towards the end of his life that he publicly acknowledged his debt to Martin Hensler.
In 1959 Paul Anstee supported Gielgud through a blackmail attempt made on him in New York, reminiscent of the cottaging incident in London in 1953 when Gielgud was arrested for approaching a man in a public lavatory who turned out to be an undercover policeman. But Gielgud continued to demand independence and, in October 1962, picked up a young Hungarian, Martin Hensler, at an art exhibition.

Paul Anstee (December 30, 1928 - August 26, 2010) was one of three great loves in Sir John Gielgud's life, the first being John Perry, who worked for and later lived with "Binkie" Beaumont at HM Tennent impresarios, and the last a possessive Hungarian, Martin Hensler.
Anstee was born Henry Miskin on December 30 1928, the son of Lieutenant-Colonel Christopher Harold Miskin, OBE, MC and Bar, of the Bedfordshire Regiment, from a well-known family of builders in St Albans.
Henry was educated at Bryanston and then trained at Rada before changing his name to Paul Anstee and going into repertory. A tall, languid figure with a pronounced coiffe, he later moved into theatre design, working closely with Cecil Beaton for seven years. In 1953 Beaton was amused to notice him spraying hydrangeas blue before the Queen attended a Coronation command performance of Aren't We All? The originals had faded under the television camera lights.
In the same year Anstee had a part in A Woman of No Importance alongside Isobel Jeans and Athene Seyler. He designed Time Remembered in 1954; Nude with Violin (for Noël Coward, thanks to John Gielgud, who starred) in 1956; Suddenly It's Spring, starring Margaret Lockwood in 1959; and The Collection in 1962.
During his relationship with Gielgud, which flourished for several years from 1953, he opened an interior decorating and antiques shop in the King's Road, partly financed by his father and briefly by the actress Adrianne Allen, wife of Raymond Massey. The shop opened in October 1955, giving him pleasure and hard work in equal measure. In September 1961 he opened a design shop in Cale Street, with favourable publicity, retaining for a few further years the King's Road shop solely for antiques.
Vivien Leigh entertains over lunch at Tickerage Mill. Seated from L-R: Actor and interior designer Paul Anstee, Sir Kenneth Clark, Vivien, John Gielgud, journalist Alan Dent, and Lady Jane Clark (http://www.vivandlarry.com/vivien-leigh/vivien-leigh-through-jack-merivales-lens/)During his relationship with Gielgud, which flourished for several years from 1953, Paul Anstee opened an interior decorating and antiques shop in the King's Road, partly financed by his father and briefly by the actress Adrianne Allen, wife of Raymond Massey. The shop opened in 1955, giving him pleasure and hard work in equal measure. In September 1961 he opened a design shop in Cale Street, with favourable publicity, retaining for a few further years the King's Road shop solely for antiques.
Paul Anstee's country home, Templewood, near Heathfield in SussexIn the early 1970s Paul Anstee found happiness with a young Canadian called Guy Gauvreau. In London they lived at Chelsea Studios, weekending at Anstee's country home, Templewood, near Heathfield in Sussex. Their garden was badly damaged in the 1987 storm. Gauvreau died of leukaemia in December 1989, aged 41. In his later years Paul Anstee suffered from Alzheimer's disease, spending his last two years at Dudwell St Mary Nursing Home, Burwash, where he died on August 26, 2010.( Read more... )Source:
http://www.telegraph.co.uk/news/obituaries/culture-obituaries/theatre-obituaries/8047032/Paul-Anstee.html
Days of Love: Celebrating LGBT History One Story at a Time by Elisa Rolle
Paperback: 760 pages
Publisher: CreateSpace Independent Publishing Platform; 1 edition (July 1, 2014)
Language: English
ISBN-10: 1500563323
ISBN-13: 978-1500563325
Amazon:
Days of Love: Celebrating LGBT History One Story at a TimeDays of Love chronicles more than 700 LGBT couples throughout history, spanning 2000 years from Alexander the Great to the most recent winner of a Lambda Literary Award. Many of the contemporary couples share their stories on how they met and fell in love, as well as photos from when they married or of their families. Included are professional portraits by Robert Giard and Stathis Orphanos, paintings by John Singer Sargent and Giovanni Boldini, and photographs by Frances Benjamin Johnson, Arnold Genthe, and Carl Van Vechten among others. “It's wonderful. Laying it out chronologically is inspired, offering a solid GLBT history. I kept learning things. I love the decision to include couples broken by death. It makes clear how important love is, as well as showing what people have been through. The layout and photos look terrific.” Christopher Bram “I couldn’t resist clicking through every page. I never realized the scope of the book would cover centuries! I know that it will be hugely validating to young, newly-emerging LGBT kids and be reassured that they really can have a secure, respected place in the world as their futures unfold.” Howard Cruse “This international history-and-photo book, featuring 100s of detailed bios of some of the most forward-moving gay persons in history, is sure to be one of those bestsellers that gay folk will enjoy for years to come as reference and research that is filled with facts and fun.” Jack Fritscher