James Hadley Chase (December 24, 1906 - February 6, 1985)

[reviews_and_ramblings]

James Hadley Chase is a pseudonym for British author Rene Brabazon Raymond (December 24, 1906 — February 6, 1985) who also wrote under the names James L. Docherty, Ambrose Grant, and Raymond Marshall.

Chase, a London-born son of a British colonel serving in the colonial Indian Army who intended his son to have a scientific career, was initially raised at the King's School, Rochester, Kent and later studied in Calcutta. He left home at the age of 18 and became at different times a broker in a bookshop, a children's encyclopedia salesman, and a book wholesaler before capping it all with a writing career that produced more than 80 mystery books. In 1933, Chase married Sylvia Ray, who gave him a son.

During World War II he served in the Royal Air Force, eventually achieving the rank of Squadron Leader. Chase edited the RAF Journal together with David Langdon with several stories from it published after the war in the book Slipstream.

Chase moved to France in 1956 and then to Switzerland in 1961, living a secluded life in Corseaux-Sur-Vevey, north of Lake Geneva, from 1974. He eventually died there peacefully on February 6, 1985.

Following the US Great Depression (1929-1939), the Prohibition, and the gangster culture during this period, and after reading James M. Cain's novel The Postman Always Rings Twice (1934), he decided to try his own hand as a mystery writer. He had read about the American gangster Ma Barker and her sons, and with the help of maps and a slang dictionary, he composed in six weeks No Orchids for Miss Blandish. The book achieved remarkable popularity and became one of the best-sold books of the decade. It was a stage play in London's West End, was filmed in 1948 and in 1971 was remade by Robert Aldrich as The Grissom Gang.

From the war period dates Chase's unusual short story The Mirror in Room 22, in which he tried his hand outside the crime genre. It was set in an old house, occupied by officers of a squadron. The owner of the house had committed suicide in his bedroom, and the last two occupants of the room have been found with a razor in their hands and their throats cut. The wing commander tells that when he started to shave before the mirror, he found another face in it. The apparition drew the razor across his throat. The wing commander says, "I use a safety razor, otherwise, I might have met with a serious accident—especially if I used an old-fashioned cut-throat." The story was published under the author's real name in the anthology Slipstream in 1946.

In 1946, Graham Greene, who was a very good friend of Chase's, selected a Chase novel, More Deadly Than Male (written under the pseudonym Ambrose Grant), for publishing under the Bloomsbury logo.

Chase wrote most of his books using a dictionary of American slang, detailed maps, encyclopedias, and reference books on the American underworld. Most of the books were based on events occurring in the United States, even though he never really lived in the United States, save for two brief visits to Miami and New Orleans. In 1943, the Anglo-American crime author Raymond Chandler successfully claimed that Chase had lifted whole sections of his works in Blondes' Requiem. Chase's London publisher Hamish Hamilton forced Chase to publish an apology in The Bookseller.

In several of Chase's stories the protagonist tries to get rich by committing a crime — an insurance fraud or a theft. But the scheme fails and leads to a murder and finally to a cul-de-sac, in which the hero realizes that he never had a chance to keep out of trouble. Women are often beautiful, clever, and treacherous; they kill unhesitatingly if they have to cover a crime. His plots typically centre around dysfunctional families, and the final denouement justifies the title!

Unlike Agatha Christie's novels, in almost none of his novels do the readers have to guess the killer. The reader knows who the killer is from the very beginning, yet the beauty of his books were that Chase always kept the reader on their tiptoes, guessing "what happens next?". This was actually the byword in most of this novels.

In many of his novels, women, treacherous as they are, play a significant part. The protagonist falls in love with them and is prepared to kill someone at her behest, so he could get her. Only when he has killed, does he realize that the woman was actually using him to get someone killed.

Not widely known was that the author, Hans Hellmut Kirst, lifted the plot of one of Mr. Chases's novels, The Wary Transgressor (1952) and created perhaps his most famous novel, The Night Of The Generals (Which was later made into a popular film staring Peter O'Toole). The borrowing of this plot was made with the knowledge of Mr. Chase, and he participated in the making of the film.

He was wildly popular in Asia and Africa. He also enjoyed success in France and Italy where more than twenty of his books were made into movies. Joseph Losey's film version of Chase's thriller Eve (1945), made in 1962, was cut by the producers, the Hakim brothers. In the story Stanley Baker played by a British writer, Tyvian, who is obsessed by a cold-hearted femme fatale, Eve (Jeanne Moreau). "Do you know how much this weekend's going to cost me?" he asks Eve. "Two friends, thirty thousand dollars …and a wife." He was also extremely popular in the Soviet Union during and after the perestroika years around 1990–1993.

First Book - No Orchids For Miss Blandish (1939): No Orchids for Miss Blandish

Last Book - Hit Them Where It Hurts (1984): Hit Them Where it Hurts

Source: http://en.wikipedia.org/wiki/James_Hadley_Chase




1951








1953

Comments

[angelabenedetti.livejournal.com]

It's interesting that he was published by Harlequin. Those certainly don't look like romances, and I didn't know they'd ever published anything else. In fact, that genre was never thought to appeal particularly to women at all; there were women readers, of course, but it was considered a men's genre. I guess Harlequin used to be a more general publisher and then later narrowed its focus?

Angie

[elisa-rolle.livejournal.com]

Harlequin started publishing both romances than mystery and also western. I think they focused only on romance when they merged with the English Mills & Boon. Elisa