Behind the Cover: Chris McGrath
Jan. 27th, 2009 07:38 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
reviews_and_ramblingsChris McGrath is the artist for, among many other things, Jim Butcher’s Dresden Files. In August 2008 Chris released a 2009 calendar, available in August, dedicated to his work on these books:
How did you get the first Dresden commission?
“I had done a couple of these futuristic detective covers for Roc at the time and they had a gritty urban look that they thought would work well for the Dresden series. They really didn't know what they wanted for the cover, other than the main character standing on a street corner in Chicago with his staff, hat, and duster jacket. So, I did a few sketches and they picked one that I ended up changing a bit. In the end they loved the cover and had me redo the rest of the series plus the upcoming titles. That book was a definite turning point, not just for my career, but artistically as well. I really had found myself and "style" with that illustration.”
What are the pleasures and pains of working on an ongoing series?
“The Dresden Files is a fun series to work on because it's a cool concept with a cool character, but after eleven books it can be difficult to come up with new ideas. I’ve started to bring in some of the background characters on the cover I just finished, letting covers evolve and open up a bit. I do drop by the Dresden forum once and a while to get some feedback from the fans—they have a lot of cool ideas that I need to balance out with Roc’s Marketing Department. I'm always excited when the project comes around every year.”
(Irene Gallo interview for Tor.com)
http://www.christianmcgrath.com/
How did you get the first Dresden commission?
“I had done a couple of these futuristic detective covers for Roc at the time and they had a gritty urban look that they thought would work well for the Dresden series. They really didn't know what they wanted for the cover, other than the main character standing on a street corner in Chicago with his staff, hat, and duster jacket. So, I did a few sketches and they picked one that I ended up changing a bit. In the end they loved the cover and had me redo the rest of the series plus the upcoming titles. That book was a definite turning point, not just for my career, but artistically as well. I really had found myself and "style" with that illustration.”
What are the pleasures and pains of working on an ongoing series?
“The Dresden Files is a fun series to work on because it's a cool concept with a cool character, but after eleven books it can be difficult to come up with new ideas. I’ve started to bring in some of the background characters on the cover I just finished, letting covers evolve and open up a bit. I do drop by the Dresden forum once and a while to get some feedback from the fans—they have a lot of cool ideas that I need to balance out with Roc’s Marketing Department. I'm always excited when the project comes around every year.”
(Irene Gallo interview for Tor.com)
http://www.christianmcgrath.com/
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Date: 2009-01-27 11:53 pm (UTC)