Mar. 18th, 2010

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"If Philip Gladstone's many paintings and drawings were all brought together in a massive mural – Diego Rivera style – it would be clear, even to a newcomer to his work, that this is an artist's world of self-research, meditation, discovery and comment." Porter Anderson


Philip Gladstone was born in 1963 in the city of Philadelphia, Pennsylvania, USA, within weeks of his father’s discharge from the United States Army. Philip’s younger brother and sister joined the family four and eight years later, respectively. His father began what was to be a long and successful career in the graphic arts at that time, and his mother stayed home to care for her growing family.


The Artist's Bath (Self-Portrait), Acrylic, 2007, Private Collection

more pics )

Both of his parents had grown up in Philadelphia and couldn’t wait to get out, so when an opportunity for employment arose in rural Maryland when Philip was less than two years old, his father happily seized upon it. Philip spent his elementary school years blissfully living in an old farmhouse in a village on the banks of the Choptank River, half an hour away from the nearest store of any kind, playing dangerously in the woods and cornfields. From there Philip moved with his family to Maine, then to Florida, and finally to Connecticut, where he continued to live for many years as an adult.

According to family legend, Philip’s first artwork was made when he pushed his hand into his soiled diaper and created a mural with the contents on the walls surrounding his crib. Later, when Philip had access to proper art supplies, his interest evolved to focus on cartooning, and as a teenager he aspired to be a professional cartoonist. While in high school he wrote stories for comic books that were accepted for publication, earning four hundred dollars apiece for his efforts, a staggering sum to him at the time. It wasn’t long, however, before he realized that his interest in drawing was expanding far beyond the limitations of the graphic simplicity of comic art, and by the time he was seventeen he had largely abandoned cartoons for painting.

In 1982 Philip Gladstone received a scholarship to the prestigious Skowhegan School of Painting and Sculpture of Skowhegan, Maine. There he received instruction from and worked alongside resident artists Jake Berthot, George McNeill and William King, and visiting artists David Hockney, Louise Nevelson, Alex Katz and others.

The eighties and nineties saw events in Philip Gladstone’s life moving at a rapid pace, even as he seemed to have no idea which way he was going, or for that matter where he wanted to go. He was married and divorced twice, and had two beautiful children along the way in 1988 and 1991. He took a job in a picture framing and art supply store because the company gave employee discounts on art supplies, and within a couple of years he had purchased the store, rationalizing that it was the best way he knew how to support his young family. It made him miserable, but he nevertheless managed the store successfully for a dozen years before business rapidly declined in 2001 and he was forced to close the doors forever.

Throughout those years Philip continued to paint in an attempt to keep his sanity. Sometimes it worked, sometimes it didn’t.

In 1997, Philip was married for the third time, happily at last, to his beautiful wife Lauren. In 2000 his third child was born, and in 2004, after trying everything he could think of to make a living after his frame shop closed, he finally tried the obvious and was surprised to find that within a short period of time he was able to earn a living as an artist.

Today Philip Gladstone lives and works in a antique farmhouse in rural Maine, USA, complete with an attached renovated barn that functions as the artist's studio.

He spends his days at home with his family and, of course, painting up a storm. He’s never been happier or felt more blessed.

http://www.philipgladstone.com/

More Artists at my website: http://www.elisarolle.com/, My Ramblings/Art

reviews_and_ramblings: (Default)
This is the cover of a 1938 romance by Faith Baldwin, Hotel Hostess, and the tagline says: "Could she find real love in this world of Roving Husbands, Jealous Wives and GAY BACHELORS?"... well, no, today, I thinkg she could not! even the third possible alternative is definitely out! (pun intended)



And to stay on the same line, I'd really love to have a look at a book by Sophie Cole. Sophie Cole was the first author published by Mills & Boon in 1909 and she later became also a shareholders of the firm. Her books are now almost disappeared, but her private collection was donated to the University of Reading, with her brother's own library, a professor at the same University. Why I'm interested? Well, her last book is QUEER NEIGHBOURS (1946)!

If you are interested in knowing something more about Faith Baldwin, I have just posted about her:

http://elisa-rolle.livejournal.com/990832.html

and for Sophie Cole: http://elisa-rolle.livejournal.com/949667.html
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Bound to Please perfectly explains one of the reasons why I understand the existence of a ménages a trois, while I usually am a monogamy supporter.

Benny is in love with his boss Jason, a Dom and the owner of a BDSM private club (he is one of the character in Phoenix Rising, the previous book by Kimberly Gardner set in the same community). With his body and heart Benny is willing to give anything to Jason, but with his mind he is scared by all the different layers a BDSM relationship can have. Jason knows that, if he pushes the boy, Benny would probably agree to a Master / slave relationship, but deep inside it’s not what he wants.

Enter Rain, former porn actor and now fetish model; he is one of the models Jason is using for his exhibition, and he is more than willing to be the guinea pig for the most extreme of Jason’s pictorial fantasies. Rain is a happy to go guy, sex is something good and full of joy, and he lives it like that, willing to share his body with a freedom that Benny envies. But Rain is not selfish, obviously, and he finds in both Jason than Benny something he needs: Jason is the authoritative figure he needs to have an appearance of stability in his life, and Benny is the buddy friend he wants to not forget that, indeed, life is a good thing.

There is a complex work of balance in the trio: Jason needs both Rain than Benny, since the two together fulfil all his desires, his sweet and his hard side; Rain needs both Jason than Benny; and Benny needs both Rain than Jason, Rain to help him understand that there is not to be feared in the type of relationship the darker side of Jason needs. No one of them is complete without both of his lovers, missing one of them would be the end of the whole relationship.

I like all the characters, but for sure the boys, Benny and Rain, are the best; Jason is good but he fades on the background when the boys are around, something that is strange considering he is the Dom. Benny and Rain, purple and blue hair, are like boys at play, I have always the feeling to hear someone laughing when they are in a room. Jason is not their puppeteer, he is the one who is fallen in their net; I have this image of Benny and Rain building a net with colourful rope, and Jason totally caught in the middle.

There is a lot of sex, some of it also quite extreme, but above all I have this feeling of esthetical beauty: each scene is like a carefully planned painting, with full and deep colour, it’s a very visual feeling. On this matter, at the beginning the cover led me in the wrong direction: it gave me the idea of a futuristic / fantasy romance, and so I didn’t realize that indeed, this is a totally contemporary novel, and moreover, the sequel of Phoenix Rising.

http://www.mlrbooks.com/ShowBook.php?book=BOUNDPL1

Buy Here

Amazon: Bound to Please

Amazon Kindle: Bound to Please

Series:
1) Phoenix Rising: http://elisa-rolle.livejournal.com/358022.html
2) Bound to Please

Reading List:

http://www.librarything.com/catalog_bottom.php?tag=reading list&view=elisa.rolle


Cover Art by Anne Cain
reviews_and_ramblings: (Default)
Bound to Please perfectly explains one of the reasons why I understand the existence of a ménages a trois, while I usually am a monogamy supporter.

Benny is in love with his boss Jason, a Dom and the owner of a BDSM private club (he is one of the character in Phoenix Rising, the previous book by Kimberly Gardner set in the same community). With his body and heart Benny is willing to give anything to Jason, but with his mind he is scared by all the different layers a BDSM relationship can have. Jason knows that, if he pushes the boy, Benny would probably agree to a Master / slave relationship, but deep inside it’s not what he wants.

Enter Rain, former porn actor and now fetish model; he is one of the models Jason is using for his exhibition, and he is more than willing to be the guinea pig for the most extreme of Jason’s pictorial fantasies. Rain is a happy to go guy, sex is something good and full of joy, and he lives it like that, willing to share his body with a freedom that Benny envies. But Rain is not selfish, obviously, and he finds in both Jason than Benny something he needs: Jason is the authoritative figure he needs to have an appearance of stability in his life, and Benny is the buddy friend he wants to not forget that, indeed, life is a good thing.

There is a complex work of balance in the trio: Jason needs both Rain than Benny, since the two together fulfil all his desires, his sweet and his hard side; Rain needs both Jason than Benny; and Benny needs both Rain than Jason, Rain to help him understand that there is not to be feared in the type of relationship the darker side of Jason needs. No one of them is complete without both of his lovers, missing one of them would be the end of the whole relationship.

I like all the characters, but for sure the boys, Benny and Rain, are the best; Jason is good but he fades on the background when the boys are around, something that is strange considering he is the Dom. Benny and Rain, purple and blue hair, are like boys at play, I have always the feeling to hear someone laughing when they are in a room. Jason is not their puppeteer, he is the one who is fallen in their net; I have this image of Benny and Rain building a net with colourful rope, and Jason totally caught in the middle.

There is a lot of sex, some of it also quite extreme, but above all I have this feeling of esthetical beauty: each scene is like a carefully planned painting, with full and deep colour, it’s a very visual feeling. On this matter, at the beginning the cover led me in the wrong direction: it gave me the idea of a futuristic / fantasy romance, and so I didn’t realize that indeed, this is a totally contemporary novel, and moreover, the sequel of Phoenix Rising.

http://www.mlrbooks.com/ShowBook.php?book=BOUNDPL1

Buy Here

Amazon: Bound to Please

Amazon Kindle: Bound to Please

Series:
1) Phoenix Rising: http://elisa-rolle.livejournal.com/358022.html
2) Bound to Please

Reading List:

http://www.librarything.com/catalog_bottom.php?tag=reading list&view=elisa.rolle


Cover Art by Anne Cain
reviews_and_ramblings: (Default)
This is quite a sad story and even if there is a sort of happily ever after, I still felt like the sadness was not all gone.

Jud and Derek were best friends since they were children, and not long after they also fell in love. The life seemed perfect for them; they were living together, good jobs and a new home. But something maybe was missing, maybe they were not on the same line of thinking, maybe one of them was outclassing the other… anyway they hadn’t the time to understand what it was since Derek died on Christmas day, just the day after he made Jud promise that there was never anyone else for him. Already this promise was strange, why on earth a man as young as Derek was wresting promises from his lover, like he had the feeling that he would be not there. But Jud had promise indeed, and Derek died, and so, guilt or love, or maybe a mix of the two, made Jud keep the promise for 10 years, helped maybe by the little booby prize of having Derek back for one day each year, on Christmas day.

First year it’s joy, second year it’s hope, third, fourth, …, tenth year it’s almost damnation. Yes, it’s harsh to say, but time indeed heals the wounds, and Jud is young, and Derek is died, and where a romantic sees a wonderful love story, a practical man sees an eternal doom. It’s time for Jud to move over, and if this moves will lead him near to or far from Derek, well, you have to read the book to know. What I can say you is that, in Jud’s shoes, I would have not left those silver bells, even if they represented ten years of grief, they were also the remembrance of an important part of his life.

On a side note, despite the sad feeling I already mentioned above, the story manages to be the same very sexy, to some level that, sometime, the reader has the idea that what Jud is missing is not much the love but more the lover. To the romantic reader who will not like the idea, I will suggest to consider the idea that, in a way, Jud and Derek were not made to be together, and that, if Derek had not died, there would be a good chance for both of them to outgrow their youth love; death instead, gave it a forever kind of nature.

http://www.loose-id.com/Silver-Bells.aspx

Amazon Kindle: Silver Bells

Reading List:

http://www.librarything.com/catalog_bottom.php?tag=reading_list&view=elisa.rolle


Cover Art by Anne Cain

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